A young couples lives are turned upside down when the birth of their first child is accompanied by terrifying entities that threaten their newly formed family.
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The Elliot estate was once a thriving plantation, but by the 19th century, the family has crumbled under the weight of its own excesses. If sordid sexuality and insanity don’t claim their lives, a malevolent force lurking on the land certainly will. Is it a supernatural entity, or simply the poverty-stricken locals seeking revenge? Marj Dusay and Ryan Foley star in this award-winning chiller from auteur Andrew Repasky McElhinney.
A violent breakup leaves one man dead and a group of friends dispatched into the desert to dispose of the evidence. Friendships are tested as the group push the boundaries of what can be done in the name of being there for a friend.
After the premature death of her estranged husband, Emma (Winter) regains custody of their young daughter Isla (Jones) and hopes to rebuild their relationship after many years apart. But when an evil entity begins to torment them, mother and daughter are forced to face the inexplicable presence that inhabits the walls of their new home.
A reporter and a blind retired journalist try to solve a series of murders. The crimes are connected to experiments by a pharmaceutical company in secret research. The two end up becoming targets of the killer.
In the future, Earth is overcrowded and the population relies on distant bases to be fed. In the Saturn 3 station, Major Adam and the scientist Alex, who is also his lover and has never been on Earth, have been researching hydroponics for three years in the base alone with their dog Sally. Meanwhile, the psychotic Captain Benson fails the mental test required to travel to Saturn 3 and kills his replacement, Captain James, taking his place in the mission of assembling and programming the Demi-God series robot Hector to replace one of the scientists in Saturn 3. On the arrival, the mentally disturbed Captain Benson becomes sexually obsessed for Alex. Then he uses an interface to link his brain to program Hector, but incapable to control his emotions, he transfers his homicidal tendency and insanity to Hector. Now Major Adam and Alex are trapped in the station with a dangerous psychopath robot.
THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history – The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.
A stagecoach full of passengers and an enigmatic gunslinger are held hostage by two outlaws on the run from the law but events take an unexpected turn when the travelers are stalked by a mythical beast that only appears on the night of a blood red moon.
The story of Michael and Richard Henderson, two stepbrothers from West Virginia who saw an opportunity in the burgeoning VHS market in the 1980s and made their own backyard horror movies, “The Curse of Stabberman” and “Cannibal Swim Club.” These films would’ve been long forgotten, but a recent resurgence in horror fans collecting rare VHS tapes has put the Henderson Brothers back in the spotlight. Thanks to their biggest fan, they’re sitting down for their first on-camera interview and looking back on their movies – but they might not be as good as they remembered!
Helen Keller vs. Nightwolves tells the shocking story of how a group of Nightwolves terrorized a tiny village taking people’s hearing and eye sight… and the one woman who fought back.
