Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.
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On Any Sunday, The Next Chapter” is an exploration into the two-wheeled world of motorcycle riding. The film journeys deeper into the humanity, thrills and excitement behind the global culture of motorcycle riding. We meet those who are bonded by their passion for the race, we experience the exhilaration of the ride and we witness the love of family and friendship as each individual seeks out their next thrilling moment on the bike.
I’m in the South of France. My base? The high-tech testing ground for Formula One Circuit Paul Ricard. My mission? To find find my favourite car of the year. There’s a pair of Ferraris, the V12, 6.3 litre FF and the 458. There’s the UK challenger to the 458, McLaren’s MP4-12C. The latest gizmo-laden Nissan GTR, Porsche’s GT2 RS, the 570-horsepower Lamborghini Performante and the fun BMW 1M. Helping me are The Stig and Formula One new boy, Karun Chandhok. I look into the future, in the shape of the hybrid-engined Mugen Honda CR-Z, And there are blasts from the past as well. The beautiful Eagle Speedster a modern twist on the iconic, timeless E-Type, with its 4.7 litre engine and an eye-watering £500,000 price tag. And there’s the all new Jensen Interceptor R with its 6.2 litre Corvette motor. The mighty Brutus, a vintage car fitted with a flame-spitting BMW airplane engine. Also the single-seater, B.A.C. Mono – capable of 0-60 in 2.8 seconds. What more could you want?…
Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.
Here comes DEATH’s probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH’s origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light.
Through unprecedented backstage access and candid interviews, the film weaves through the absurd world of the working comedian and reveals a crazy and hilarious psychological profile of its practitioners. We also follow retired comic Ritch Shydner’s attempt to climb back on stage after a thirteen-year hiatus. At the top of his game in the 1980’s, Shydner had HBO specials, shot five pilot TV shows, and numerous late night appearances (Carson, Letterman, Leno, etc.) but the big time eluded him. Equipped with the collective wisdom and nutty musings of over 80 of his peers, he gives it another shot. Does Ritch have what it takes to connect with today’s young crowds and still get the laughs?
During World War II in the freezing Netherlands winter of 1944/1945 the western Netherlands are in the grip of a famine. Many people move east to provide for their families. Fourteen year old Michiel can’t wait to join the Dutch resistance, to the dismay of his father, who, as mayor, works to prevent escalations in the village.
Over a quarter of a century since it began and a decade after it folded, this is the definitive film about Creation Records, one of the world’s most successful and colorful independent labels. This is the story of the rock n roll dream and its accompanying nightmares. Millions of sales on both sides of the Atlantic, near bankruptcy, pills, thrills, spats, prats, success, excess, pick me ups, breakdowns and of course some of THE defining music of the late 20th Century. This is the definitive and fully authorised story of the UK’s most inspired and dissolute label, from the Jesus & Mary Chain at the Living Room to Oasis at Knebworth.
Leviathan: The Story of Hellraiser and Hellbound: Hellraiser II is a feature length documentary uncovering the history and the making of Clive Barker’s Hellraiser and Hellbound: Hellraiser II films.
“The Perfect Human Diet” is an unprecedented global exploration to find a solution to our epidemic of overweight obesity and diet-related disease – the #1 killer in America. The film bypasses current dietary group-think by exploring modern dietary science, previous historical findings, ancestral native diets and the emerging field of human dietary evolution; revealing for the first time, the authentic human diet. Film audiences finally have the opportunity to see what our species really needs for optimal health and are introduced to a practical template based on these breakthrough scientific facts.
The vaquita, the world’s smallest whale, is nearing extinction as its habitat is destroyed by Mexican cartels and the Chinese Mafia, who harvest the totoaba fish, the “cocaine of the sea.” Environmental activists, the Mexican navy, and undercover investigators are fighting back against this illegal multimillion-dollar business.
Over fifty very famous American and Canadian funny people (filmmakers, writers, actors and comedians) share life and professional journeys and insights, in an effort to shed light on the thesis: Do you have to be miserable to be funny?