American car designer Carroll Shelby and the British-born driver Ken Miles work together to battle corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.
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An idealistic cop and an ambitious scientist-businessman indulge in a high-stake battle of wits.
When a sexy, high-end escort holds the key evidence to a scandalous government cover-up, two bumbling young detectives become her unlikely protectors from a ruthless assassin hired to silence her.
On the eve of her 16th birthday, Allison Riley (Sophie Bolen) disappears. When the police refuse their requests, her parents, Joanna (Kristy Swanson) and Case (Mark Boyd), reluctantly hire John Belton (Dean Cain), a private investigator with a reputation for questionable procedures and a dark past. Quickly, Belton realizes that Allison was coerced by a young handsome boy she met on social media and had been trafficked, and they are on a race against time to get her back.
NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don’t get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes, they’re “the other guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into NYC’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff?
Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can’t act on his feelings for Mary Jane Watson, a girl he’s loved since childhood.
Paul “OtaKing” Johnson drops a real treat in the form of this “Star Wars: TIE Fighter” animated short. Complete with appropriately radical electric guitar solos and impressive attention to detail, “TIE Fighter” casts the forces of the Galactic Empire not in the role of disposable cannon fodder seen in the Star Wars films, but as near-suicidally reckless angels of death. Johnson animated this 7-minute short over the course of “four years’ worth of weekends,” and his love and attention-to-detail shows.
Three teenage girls decide to visit a romantic island and find love. They get shipwrecked and end up on different sides of the island. Each girl begins her own romantic adventure either with a man, a boy or even another girl.
Bryce has been a crook since he was a kid in the projects. After a violent turn of events he’s finally got a shot at the big time. Tony De Luca, one of the biggest crime bosses in the city, is looking to have Bryce get rid of a little problem: a man who can put him and many of his associates away for a long time. Bryce however has problems of his own when his latest dope shipment gets jacked and has to settle the matter, one bullet at a time
In Los Angeles, an ex-con (White) takes the underground fighting world by storm in his quest to fulfill a promise to a dead friend.
