Mason Storm, a ‘go it alone’ cop, is gunned down at home. The intruders kill his wife, and think they’ve killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger – himself, his son, his best friend, his nurse – but most of all those who arranged for his death
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Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.
In the year 2455, Old Earth is now a contaminated planet abandoned for centuries — a brown world of violent storms, toxic landmasses and poisonous seas. Yet humans have returned to the deadly place that they once fled, not to live, but to research the ancient, rusting artifacts of the long-gone civilizations. But it’s not the harmful environment that could prove fatal to the intrepid, young explorers who have just landed on Old Earth. For them, it’s Friday the 13th, and Jason lives!
A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way to cope with a crazy situation. Catch-22 is a parody of a “military mentality” and of a bureaucratic society in general.
In 1960s New York, Walter Stackhouse is a successful architect married to the beautiful Clara who leads a seemingly perfect life. But his fascination with an unsolved murder leads him into a spiral of chaos as he is forced to play cat-and-mouse with a clever killer and an overambitious detective, while at the same time lusting after another woman.
Master chef Kate Armstrong runs her life and her kitchen with intimidating intensity. However, a recipe for disaster may be in the works when she becomes the guardian of her young niece while crossing forks with the brash sous-chef who just joined her staff. Though romance blooms in the face of rivalry, Kate needs to look outside the kitchen to find true happiness.
In FEAST, perpetrators, victims and their spectators become involved in a dramatic reconstruction of the Groningen HIV case. The film tells a story about power and surrender, the reversibility of truth and the desire to come home somewhere.
Five years after the murder of his wife and disappearance of his daughter, former police officer Jeremy Duffin is brought back to help in the hunt for a yuletide monster that punishes children that have been “naughty.” As the monster becomes more erratic and unpredictable, Jeremy learns the truth about the disappearance of his daughter and the fate that has been bestowed upon him by an unlikely source. Can Jeremy finally end the nightmare Christmas monster that has terrorized this town for years?
A smart finger movie about adult rated romance between young men and women who have total control over SNS.
George Orwell’s novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love.
George Wallace is a 1997 television film starring Gary Sinise as George Wallace, the former Governor of Alabama. It was directed by John Frankenheimer, who won an Emmy award for it; Sinise and Mare Winningham also won Emmies for their performances. The film was based on the 1996 biography Wallace : The Classic Portrait of Alabama Governor George Wallace by Marshall Frady, who also co-wrote the teleplay. Frankenheimer’s film was highly praised by critics: in addition to the Emmy awards, it received the Golden Globe for Best Miniseries/Motion Picture made for TV. Angelina Jolie also received a Golden Globe for her performance as Wallace’s second wife, Cornelia.
