A young couple travel from England to Scotland to address a haunting memory from their past.
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At Christmas, a cheerful publicist teams up with a cynical business owner and his team to help a charity in need.
It’s summer. One endless, sexy party under the open sky. Tina and her friends are living the dream of a whole generation of decadent Berlin-party-kids. But after one excessive night she’s haunted by a mysterious ugly creature in nightmares she has. The only person she talks about her fears to is her psychologist. His advice is to confront her fears and to reach out to the creature. At first Tina refuses but after she hears about her parents’ plans to put her in a mental hospital she starts talking to the creature. She slowly realizes that the creature is an incarnation of her fears and that it has the same feelings she does. Afraid of being called a freak she starts hiding the creature in her room. After a while she even gets close to it. It’s almost like a relationship with a wild stray animal. For the first time in her life, it almost seems as if Tina has the courage to be herself. But then her parents and her friends see the creature…
As Aunt Alice, Ruth Gordon applies for the job of housekeeper in the Tucson, Arizona home of widow Claire Marrable in order to find out what happened to a missing widowed friend, Edna Tilsney. The crazed Page, left only a stamp album by her husband, takes money from her housekeepers, kills them, and buries the bodies in her garden. Alice is a widow too. So is neighbor Harriet Vaughn. Lots of widows here.
Acclaimed writer and historian Deborah E. Lipstadt must battle for historical truth to prove the Holocaust actually occurred when David Irving, a renowned denier, sues her for libel.
WWE Superstar Mike “The Miz” Mizanin returns as Jake Carter where he is assigned to protect a whistleblower who wishes to expose a corrupt military defence contractor. However, the military hires a heavily armed team of mercenaries to kill her and it’s up to Carter to stop them at any cost.
Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.
In the town of Copper Canyon, people are cashing in on an economic housing boom, and the local country club is buzzing about the investment opportunity. Once vivacious couple, Roger (Vincent D’Onofrio) and Georgie (Kyra Sedgwick), have settled into a complacent lifestyle of mediocrity where their marriage is falling apart and their children are turning away from them. Nonetheless, the desperately discontent Georgie pushes Roger into finding a way to invest in the market bubble in the hopes that their family can be saved with the money they are sure to make. When local tennis pro and part-time drug dealer, Pat (Rhys Coiro), comes to Roger for investment advice, Roger sees his opportunity. Torn by the reality that his family could be saved by this dirty money, Roger finds himself staring down the barrel of a moral conundrum.
An L.A. cop goes after a gang of murderous drug dealers.
This is a film about a troubled teen, Sean Randall, who is falsely accused of planning a Columbine shooting scenario. It all begins when an unlikely bond forms between Sean (Connor Jessup) and a preppy teenage girl named Deanna Roy (Alexia Fast). Deanna’s boyfriend is deeply threatened by Sean and Deanna’s friendship, resulting in a violent confrontation. Seeking to protect himself, Sean issues a death threat online – and is swiftly arrested. When the police raid Sean’s home, they find rifles, shotguns, knives and ammunition – all property of Sean’s father Ricky (Michael Buie), an avid hunter. They also find a supposed “hit list” with twenty names of people who have tormented Sean. The authorities and the media proclaim another Columbine has been narrowly averted, and soon Sean faces a terrifying imprisonment in a youth detention facility. Sean’s only hope is to overcome his dark image, and prove his innocence to Deanna and to his community.
