An exorcist comes up against an evil from his past when he uses his skills to enter the mind of a nine year old boy.
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In this tense tale of psychological terror, Vivian Miller (Young) is a young twenties woman who’s serving out her jail sentence at a work release program in the Midwest. Her 90 days of probation takes her to The Cawdor Theater, a dilapidated summer stock theater run by Lawrence O’Neil (Elwes). Lawrence, a failed Broadway director, is now reduced to staging amateur productions with young parolees and raging over the mistakes from his past. Vivian’s arrival in Cawdor starts a terrifying series of events that brings Lawrence’s secret past to the present. After Vivian views an old taped stage production of Macbeth, a force of evil is unleashed which soon turns its sights on her. With the help of Roddy (Welch), a local outcast, Vivian sets about trying to discover who the supernatural killer on the tape is before she becomes the next victim.
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Sabina, a young girl with a dark past, wakes up in the dungeon of a masked predator. She’s been drugged on a blind date and the night promises terror…just as in her past. But when she outwits her captor and escapes half-naked into the night, her dark odyssey truly begins — she runs into a trio of adventurers who transport her to a wild fetish party, all the while taking her story as just another kinky role-playing game. But when her tormentor show up at the party and tries to claim her as his prize, will anyone save her? And who is he? The man who drugged her and forced himself on her years ago? Her date from earlier that same day? Or are they one in the same and now he’s come back to finish what he started? Or is this all a twisted game just so Sabina can have her own revenge? And if it is, who are the players? And who’s GETTING PLAYED?
Puppets live alongside humans peacefully, but suddenly their behavior becomes depraved. Is such criminal activity rare, or is the media blowing things out of proportion, making cops look like sadistic gunslingers and causing people to distrust them, each other, and most of all, puppets. Is the apocalypse coming, or is the fear-mongering just a great way for News programs to get advertising money? Wait – that makes this movie sound like a serious allegory. Change that. This movie has more wtf moments than you can imagine. It’s high brow and low brow at the same time.
In a politically divided America, a man struggles to make it through the Thanksgiving holiday without destroying his family.
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