A manic-depressive mess of a father tries to win back his wife by attempting to take full responsibility of their two young, spirited daughters, who don’t make the overwhelming task any easier.
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The God of Cookery, a brilliant chef who sits in judgement of those who would challenge his title, loses his title when a jealous chef reveals him to be a con-man and humiliates him publicly. As this new chef takes on the God of Cookery’s role, the former God tries to pull himself back on top again, to challenge his rival and find once and for all who is the true God of Cookery.
Dayo Wong stars as top agent Mr. Chan, who suddenly finds himself removed from duties after his partner Wonder Child unintentionally offended a policewoman, Ms. Shek. But when a financial officer goes crazy due to drugs, Mr. Chan is called back in to solve the case, which he accepts even though this means partnering up with Ms. Shek. The two have some ups and downs while working together, eventually leading to romance.
Meredith is a 35 year-old unmarried woman who arrives at a remote lighthouse island 1928 with her uncle the new head keeper.
In a high-rise apartment young parents Alex and Mahsa live with their seven-year-old daughter Mina. Everything about the family is completely normal, uncomfortably real: Their home, their jobs, her school, the way they hold and love each other. The line between fact and fiction is blurred because THEY ARE A REAL family. Until completely normal turns into what they fear the most. Alex’s injury opens the door to a malevolent force that attacks and dismantles the family one person at a time: A violent aggressor determined to prove that possession is real, unconscionably disturbing and very different from how it’s depicted in the movies.
Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.
Sexy. Style-conscious. Extreme love affairs. Complicated friendships. Life happens all too quickly when Cloey is reluctantly plucked from her comfort zone and complete reliance on others is overturned – a secure relationship with her boyfriend unravels, her childhood best friend is moving away and daddy’s (Daniel Baldwin) checkbook closes. City Baby comments on the ladder-climbing mentality of always reaching for the next bigger, better thing – relationship, city, job – when sometimes what’s right in front of us is just fine. Scattered with cameos from Portland musicians like Stephen Malkmus of Pavement, live musical performances by Glass Candy and Starfucker, and a thoughtful soundtrack featuring all Portland bands and musicians, City Baby depicts a playground for semi-adults, revolving through the lives of cool kids.
A young married woman from Montreal’s Orthodox Jewish community finds freedom from the strictures of her faith through her relationship with a young man who is mourning the death of his estranged father.
Set against the backdrop of the COVID-19 lockdown, sparring couple Linda and Paxton call a truce to attempt a high-risk jewellery heist at one of the world’s most exclusive department stores, Harrods.
In the aftermath of a zombie outbreak, zombies are cured and exiled to secluded camps. There has been talk about rehabilitating post-zombies back into society. Steve, the journalist reporting on the case, thinks the zombies still pose a threat to society. He ventures into one of these camps to prove to the world that rehabilitation is out the question.
As a single mom and her teenage son come to a crossroad during Christmas, she must learn to let go so he can flourish as she finds her own heart healing in unexpected ways.