Tanya returns to the scene of the crime to rid herself of nightmares of the horror that occurred three years earlier.
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A hard-boiled love triangle between a private eye and two bloodsucking dames.
The tale of satanic vampire sorceress Eva, whose sexually-charged midnight rituals are interrupted when God-fearing local villagers burst into her lair and murder her. A century later, motorcycle-riding writer Lisa moves into the same cabin where Eva was executed, with the intent to write a book about the supposedly haunted spot’s history. Soon, Lisa is having vivid, perverse dreams and slowly, surely, Eva begins taking over the young woman, using her body as a vessel to commit even more atrocities in the name of resurrecting an ancient monster from the underworld.
When his car breaks down, a quiet loner agrees to clean an abandoned family fun center in exchange for repairs. He soon finds himself waging war against possessed animatronic mascots while trapped inside Willy’s Wonderland.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
A mother must protect her family on Christmas Day from a demented stranger who is hell bent on tearing them apart.
A deranged serial killer known as “Clownface” terrorises the residents of a small town.
When three young women receive shocking videos anonymously, a nightmare is reawakened that ignites a thirst for bloody vengeance. They embark on a journey to locate the house, their sadistic captor and to discover the truth behind those locked doors. But, the most shocking revelation of this chilling tale is the identities of the victims.
Rick is a young man living in a nice apartment who seems to be having difficulty going outside ever since his girlfriend mysteriously left. The people around him seem to be trying to push him toward leaving the apartment and moving on with his life, but not everything is as it appears to be.
The first segment features an animated mummy stalking selected student victims; the second tale tells the story of a “cat from hell” who cannot be killed and leaves a trail of victims behind it; the third story is about a man who witnesses a bizarre killing and promises never to tell what he saw and the “in-between” bit is the story of a woman preparing to cook her newspaper boy for supper.
A teenage girl living with schizophrenia begins to suspect her neighbor has kidnapped a child. Her parents try desperately to help her live a normal life, without exposing their own tragic secrets, and the only person who believes her is Caleb – a boy she isn’t even sure exists.
Andre Essen (Elya Baskin) says goodbye to his daughter, Natalia (Sasha Kolos), as she heads to America as a foreign exchange student. Natalia bonds with her surrogate family, Amanda (Callan…
