A mysterious woman wanders the streets of Manhattan in a confused state. Finding herself inexplicably drawn to a group of teenagers she embarks on an adventure with them through the cityscape and into the unknown. As the night progresses, she approaches something intangible on the journey back to herself.
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Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
Heading on a transatlantic voyage at sea from an Italian lab to America, D’Agostino is the story of a human clone left for dead at the shores of Santorini Greece. This lost cargo, commissioned by wealthy individuals for organ tranplants, is abandoned as the freight cannot be recovered. Allan Dawson has recently inherited his grandmother’s island estate. He’s in a loveless relationship with his common law spouse Sylvia. As he finds this interesting freight, what follows is a macabre tale of self realization as Allan proceeds to set himself out of his sedentary existence to mold his latest discovery into a new best friend with dire consequences.
When a young woman learns her parents’ killer has been released from jail, she is forced to revisit old wounds while discovering the destructive power of hate and the true cost of family secrets fully revealing themselves.