When Olivia gets deferred from her dream college, she begins to spiral. In an attempt to regain control, she embarks on a social media-fueled rampage against those that stand in the way of her success. But as things escalate, she is forced to confront her darkest impulses in order to get ahead.
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Mary (Austin Highsmith) and Charlie’s (Alan Powell) marriage had become a little rocky, he forgot their anniversary whilst she almost slept with their friend Trevor (Luke Edwards) whose partner, Susan (Valerie Azlynn), is always working as she is a lawyer. But Mary is becoming suspicious of Charlie when he says he is working late on a property he is renovating and decides to show up there unannounced only to find him dead. With Charlie’s sister, Crystal (Lorna Street Dopson), suspecting that Mary might have done it and with police investigating she turns to Susan for legal help.
Jamie Bamber portrays John Doe – a man accused of being a vigilante serial killer. As we await verdict on his trial, the film dissects the reasoning behind his actions which have divided the community. While imprisoned, a vigilante group called Speak for the Dead emerges in support of John Doe’s cause elevating the debate about justice versus vengeance.
Set in an anonymous Japanese metropolis, the film tells the tale of shy career woman, Rinko and Shigehiko, her hygiene-obsessed, workaholic husband. The couple explore their sexuality in a number of ways, causing their lives to be disrupted.
A family find themselves terrorized by their eight-year-old son’s imaginary friend.
A porn star is hired by a dashing intelligence officer as a ‘honey-trap’ for a dreaded assassin. She not only has to confront her bitter-sweet past, but is also forced to make an impossible choice – one that will put her own life in jeopardy.
Having kayaked off shore for a deserted island photo shoot, Sarah and friend Meghan, become the target of an aggressive great white shark. Now the women must fend off the deadly predator until Sarah’s father James can guide emergency services to their rescue.
In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force. To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy into an armed confrontation with crime lord Boddicker so they can use his body to support their untested RoboCop prototype. But when RoboCop learns of the company’s nefarious plans, he turns on his masters.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
Terminal Island, New York: 2020. Overcrowding in the US penal system has reached a breaking point. Prisons have been turned over to a monolithic Weyland Corporation, which sees jails full of thugs as an opportunity for televised sport. Adrenalized inmates, a global audience hungry for violence and a spectacular, enclosed arena come together to form the ‘Death Race’, the biggest, most brutal event.
