John Bishop’s back! After taking time out to write his autobiography, John limbered up again for his third sell-out national Arena tour, ending with a special one-off show at London’s iconic Royal Albert Hall. This latest comedy caper by the immensely talented John Bishop was described as “the funniest two hours you’ll have anywhere, anytime soon” by The Daily Mirror.
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Following the release of Zombie Women of Satan, the movie about the events of the first film, Pervo’s career hasn’t quite gone to plan. Shunned and unwanted, he’s a fading star. But not to be defeated, he returns to this sequel with a new manager, a trusty bodyguard and the beautiful actress Dahlia Von Rose as they tour the country promoting their new movie. With things looking bleak though, it seems Pervo’s fifteen minutes of fame are just about over. However, a chance encounter with a mystery millionaire could turn all their fortunes around. But is it a chance encounter? Or a diabolical revenge plot? Lured to a party at an enormous mansion, all is going well until those zombie women escape and end up running wild.
It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.
Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a “sure thing” race horse that Paulie has inside information on. The aftermath of the robbery gets them into serious trouble with the local Mafia boss and the corrupt New York City police department.
Sierra Young is a rising ingénue, making $10 million per picture. She’s also a spoiled brat, partying all night, complaining on the set, unable to perform well. After a tantrum, in which she gets two black eyes, the director has her sent to a rehab clinic in a remote Utah town. Within a day, she’s run away and is taken in by Nettie, who runs a bed and breakfast inn. Sierra also meets Nettie’s grandson, Tyler, head of the local community theater. Sierra invents a name, tells Nettie a wild story, and reads for a part in Tyler’s production of “Taming of the Shrew.” Meanwhile, her entourage hires a private eye to find her. In a small town of real people, will she find herself first?