Raised in a decaying old Pennsylvania mansion and home schooled by their tyrannical professor father, Josie and Jack Raeburn have never had anyone but each other to depend on. Set in the 1990s.
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The Paradise Suite is a story about six people finding each other and, sometimes with just one glance, influencing each other’s lives irreversibly. For the beautiful young Bulgarian Jenya, her journey to Amsterdam turns out to be the opposite of what she hoped for. Her grueling captivity forces the angelic African, Yaya, to fight for her freedom – a dangerous fight in which he loses everything but his beloved faith. The Serbian war criminal Ivica, who has just become a father, is painfully confronted with the fact that crimes will never go unpunished. Bosnian Seka has nothing left to live for except her vengeance but as it turns out, it’s that same vengeance that brings love back in her life. And when the Swedish piano-wonder boy, Lukas, runs away from his new temporary home, his father Stig finally realizes that their mutual passion for music damages their relationship.
Hazel suffers from a crippling case of agoraphobia. So much so that it causes a rift between her and her mother, Dee. Hazel and her mother decide to go on a road trip to a desert facility to help Hazel deal with her fear but when gunmen and brothers Jesse and Pru attack them, Hazel has to battle her fears so she and her mother can survive.
Scott Turner has 3 days left in the local police department before he moves to a bigger city to get some “real” cases, not just misdemeanors. Then Amos Reed is murdered, and Scott Turner sets himself on the case. The closest thing to a witness in the case is Amos Reed’s dog, Hooch, which Scott Turner has to take care of if it’s going to avoid being “put to sleep”.
A Star Is Born is a 1976 rock music film telling the story of a young woman, played by Barbra Streisand who enters show business, and meets and falls in love with an established male star, played by Kris Kristofferson, only to find her career ascending while his goes into decline.
As the three out-of-towners toast the end of their journey, someone at the bar is watching them and setting a deadly trap. Now, as closing time draws near, a night of unspeakable horrors is about to begin. Jesse Archer (Violet Tendencies, Going Down in LA-LA Land) and Ronnie Kroell (Eating Out: Drama Camp, Bravo’s Make Me a Super Model) headline in this bold, uncompromising thriller that plunges into the depths of human depravity. With its unpredictable plotline and raw performances, Into the Lion’s Den is a twisted nightmare that viewers won’t soon forget.
A neurotic pregnant woman on the verge of giving birth, attempts to reunite her estranged family which includes an impossible mother riddled deeply with Alzheimer’s, an aging porn star sister and an intense Aunt, whom the family hasn’t seen in 18 years. All in an effort to fix her family history before giving birth. The colorful journey travels from Venice to Van Nuys to Simi Valley and in the end, love must win out.
Romain, 31, a photographer, learns that a malignancy may kill him within a few months. Decisions: treatment? work? how to tell his lover and his family. He remembers the sea and himself as a child. He stares in the mirror. He’s cruel: facing death, he pushes people away – what’s the point? He visits his grandmother to tell her; on the way, he chats briefly with a waitress. He looks at old photos, visits a childhood tree house. He takes pictures. Returning from his grandmother’s, he stops for food and sees the waitress, Jany, again. She makes a request. He returns to an empty flat – his lover has left. Can Jany’s proposition give him a way to move past self-pity?
In a world where immortality is achieved by drinking alcohol, having sex and partying every night, three friends in their hundreds (who don’t look a day over eighteen) try to hold onto their youth in the face of a rapidly changing world.
In the Donbas, a region of Eastern Ukraine, a hybrid war takes place, involving an open armed conflict alongside killings and robberies on a mass scale perpetrated by separatist gangs. In the Donbass, war is called peace, propaganda is uttered as truth and hatred is declared to be love. A journey through the Donbas unfolds as a chain of curious adventures, where the grotesque and drama are as intertwined as life and death. This is not a tale of one region, one country or one political system. It is about a world, lost in post-truth and fake identities. It is about each and every one of us.