Shubei town, southeast China, the present day. Five years after he fled with RMB 800,000 from a bank robbery, Liu Chuan returns incognito to the town. Policeman Wang Laoshi, who was on duty at the time of the robbery and was demoted for letting Liu escape, is working in the same district police station to which he was transferred after the robbery and still keeps an eye on Liu. By chance, Liu stays in some small lodgings in Wang’s district where Qin Xiaosong, a psychology graduate who’s run away from her domineering parents, is staying. Next day, Wang spots Liu in the street and gives chase, finally handcuffing him in a deserted warehouse. At that moment, the town is devastated by an earthquake and the building collapses. Wang is knocked unconscious and Liu steals his uniform. After rescuing Qin, Liu finds himself roped into saving other townspeople and becomes a hero in the locals’ eyes. Meanwhile, Wang recovers and sets out to hunt down Liu.

A sharecropper fights the elements to start his own farm.

Publisher, Will Atenton quits a lucrative job in New York to relocate his wife, Libby and their daughters to a quaint town in New England. However, as they settle into their home the Atentons discover that a woman and her children were murdered there, and the surviving husband is the town’s prime suspect. With help from a neighbor who was close to the murdered family, Will pieces together a horrifying chain of events.

A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.

One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.

Tragedy strikes a married couple on vacation in the Moroccan desert, touching off an interlocking story involving four different families.

Adapted from the play written by Austinite vodka maker Tito Beveridge, from Tito’s Vodka, ‘This Side of the Dirt’ is a Texas family drama steeped in satire and humor.

Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphan victims of the Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention.

A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.

A gay teenager finds out who he is and what he wants, who his friends are, and who loves him, in this autobiographical tale set in middle U.S. in the 1980s. Growing up, learning about life, love, sex, friends, and lovers.

The story of Karl, Christian and Leo will forever change the way you view the relationship between men and women. In a world were women have the power and all the advantages, they’ve learned that there is only room for one kind of man – the kind that shaves his balls. In a competition to beat Casanova, they fall victim to their own most charming and destructive in a game all men and women are doomed to lose. Pornopung is a dark and entertaining journey through the forefront of modern seduction and sexuality. It will make the most ardent feminist admit that they’ve won the war of the sexes.