La leggenda del santo bevitore (literally “The legend of the holy drinker”) is a 1988 Italian film directed by Ermanno Olmi. It tells the story of a drunken homeless man (played by Rutger Hauer) in Paris who is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to; the film depicts the man’s constant frustrations as he attempts to do so. The film won the Golden Lion at the Venice Film Festival. It is based on the 1939 novella by the Austrian novelist, Joseph Roth.
You May Also Like
Wendell Lawson has only six months to live. Not wanting to endure his last few months of life waiting for the end, he decides to take matters into his own hands and enlists the help of a delusional mental patient to help him commit suicide.
The story takes place in a alternate postwar period, in 1996, where Japan is divided. Hokkaido is ruled by the “Union” while Honshu and other southern islands are under US authority. A tall tower was built on Hokkaido, which could even be seen from Tokyo. In the summer of 1996, three middle-school students make a promise that they’ll cross the border with a self-constructed plane and unravel the tower’s secret, but their project was abandoned after the girl, Sayuri Sawatari, became mysteriously ill and transferred to Tokyo. Years later on the brink of another war Hiroki Fujisawa finds out that Sayuri had been in coma since then, and he asks Takuya Shirakawa to help him finding a way to wake her up.
Kept locked inside the house by her father, 7-year-old Chloe lives in fear and fascination of the outside world, where Abnormals create a constant threat – or so she believes. When a mysterious stranger offers her a glimpse of what’s really happening outside, Chloe soon finds that while the truth isn’t so simple, the danger is very real.
Threatened by creditors, a newly unemployed man agrees to work for a debt collector, but soon discovers his deal with the devil has unexpected costs.
In the continuation of Popoy and Basha’s love story from “One More Chance,” we find the couple walking down the aisle and vowing to love each other “forever and ever.” “A Second Chance” explores realities and intricacies and Popoy and Basha’s married life. We find Popoy as a failed achiever, struggling to keep his business and self-esteem intact, while Basha has given up so much in her life to keep their marriage together.
When Sophie’s son, Garrett, develops a mysterious illness, she embarks on a search for answers. This leads her into the controversial world of Genetically Modified Organisms (GMOs) where a sociopolitical battle rages between organic farmers and big biotech corporations. As her desperation grows, so too does her quest for knowledge. And the deeper she goes, a more heightened sense of danger develops that preys on her state of mind, as she attempts to discover the root cause of her son’s illness.
Best friends Katie and Jess are inseparable and have always had each other’s backs. When Jess begins a new serious relationship, Katie is unsure of the new perfect man and famous crime writer, Nick. She wants to support her friend’s newfound happiness but is fiercely protective. Katie’s obsession with Jess soon proves deadly and it is up to the recently vilified Nick to expose the bestie before it is too late.
The story of Rudolf Nureyev’s defection to the West.
When down-on-his-luck part-time high school wrestling coach Mike agrees to become legal guardian to an elderly man, his ward’s troubled grandson turns out to be a star grappler, sparking dreams of a big win — until the boy’s mother retrieves him.
Jessica Fletcher discovers a shocking old family secret that leads her on a journey to the deep South to bring to light the mysterious details surrounding the death of a slave owned by one of her long dead ancestors in the mid-1800s.
Good girls Merritt, Melanie, Tuggle and Angie – all students at mid-western Penmore University – are planning on going to Fort Lauderdale, Florida for spring break to get away from the mid-western snow despite not having much money to spend once there. On the drive down, they admit their real purpose is to go where the boys are.