Adapted from the bestselling novel by Madeleine St John, Ladies in Black is an alluring and tender-hearted comedy drama about the lives of a group of department store employees in 1959 Sydney.
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A group of misfit filmmakers document their experiments with remote viewing; the alleged paranormal ability to perceive remote or hidden targets by using extrasensory perception.
A fourth-grader investigates the mysterious reason behind the sudden appearance of penguins in his village, which is somehow related to a power from a young woman working at a dental clinic.
Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.
Adapting a Dutch bestseller inspired by a shocking real-life crime, Menno Meyjes (screenwriter of The Color Purple and Lionheart) directs this excoriating assessment of Europe’s contemporary social ills.
In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran’s volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn’t like it – and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison. Making his directorial debut, Jon Stewart tells the tale of Bahari’s months-long imprisonment and interrogation in this powerful and affecting docudrama featuring a potent and performance by Gael García Bernal recounting Bahari’s efforts to maintain his hope and his sanity in the face of isolation and persecution-through memories of his family, recollections of the music he loves, and thoughts of his wife and unborn child.
Gang leader Tony pulls off a major diamond heist with his crew, but cop-turned-criminal Ling knows who has the loot and responds by kidnapping Tony’s daughter and holding her for ransom. Unfortunately, Tony’s lost the diamonds as well. As he frantically searches for his daughter and the jewels, Tony pairs with a high-kicking government agent who once worked with Ling and seeks revenge on him.
The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
