Based on true events, “Lady of Guadalupe” is a moving religious discovery juxtaposing folklore and the present day. Historically significant recreations are used to illustrate the origin of her prevalent and powerful symbolism of Mexican identity and faith. When a young and ambitious reporter (Guillermo Iván) is assigned an article on faith, he finds himself enmeshed in the legend of Juan Diego and Our Lady of Guadalupe. Skeptical of miracles and the importance of modern-day Christianity, the reporter’s investigation takes him from cynic to true believer as his personal limits are tested.
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Mia (Duff), the loyal and hard-working manager of her small town’s Christmas hat shop, is blindsided when her boss of over ten years asks her to train his son, Nick (Cupo), for a vacant upper-management position that Mia had been coveting. Although Nick is a handsome, successful New York City business consultant, Mia finds training him frustrating until Nick takes an interest in Mia’s son Scotty, helping Scotty with a pumpkin carving contest. However, Mia’s faith in Nick quickly diminishes when Nick fails to show up at the contest. To protect her son from further disappointment, Mia tries to keep Nick out of her and Scotty’s fragile life, and Nick must decide if staying in the small town of Wilsonville is worth giving up the big-city perks he once had in New York. As Mia struggles to find a way to convince Scotty to return to physical therapy so he can walk again, she soon realizes that Nick may be the Christmas miracle she has been waiting for.
In the week that follows Princess Diana’s tragic death on 31 August 1997, four separate stories unfold as four ordinary lives are all affected in different ways in this commemorative drama from writer Jeremy Brock and director Peter Cattaneo.
Clew is the story of Jack Hadrian, a painter living in the mid-21st century who contracts for the purchase of a Muse, a genetically engineered lifeform designed to be his perfect mate, after his fiancée disappears mysteriously.
The loyalty of a tight group of friends is put to the test when there’s a date rape within the circle.
Two sisters embark on a hilarious, mile-a-minute road trip to rescue their grandmother and her beloved dog from her retirement home before their reckless sister gets there first.
Daphne, 31, Londoner. Busy days, hectic nights, friends, people, lovers, are all welcome distractions from the constant and creeping feeling that her life is somehow stuck. Too young too settle quietly, too old to keep on messing about without aim. One night, an unexpected event slowly but steadily forces her to confront this existential limbo head on, an start looking very closely at the person she has become.
A retired thief swears revenge on the lunatic who murdered his brother and partner, while going on the run with the loot they stole.
“40 Nights” is the first of the QUEST TRILOGY – films sharing alike themes of sacrifice and faith. These films focus on less known events from the biblical age. The first film examines the pre-ministry life of Jesus (DJ Perry) starting with his baptism with John the Baptist (Terry Jernigan). From there Jesus embarks on his self- exploration journey into the wilderness for 40 nights. He is tempted by the Devil thrice in various forms. Audiences will be treated to a stronger portrayal of Jesus that peeks at his childhood and family upbringing. The result is a Jesus that invokes empathy and sheds light on the true magnitude of his sacrifice for mankind.
Na’ama is seventeen. She lives in a sleepy suburbia. She is bored. With detached parents and a rebellious older sister, her life at home is a mess. It all changes when a new girl appears at school. She’s introduced to a world of drugs, lesbians and sex. She’s thrilled. Her life, at last, becomes exciting. Is it going to last? “Barash” is a coming of age story, planted in the heart of Israeli society, about a young woman who struggles to find her self-identity in an environment that has different ideas about sex, drugs and love.