Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.

In the remote, sun soaked Pennsylvanian countryside, Ned Larson – a retired professor and reclusive inventor is killed in an explosion at his home. Soon after, small-time investigative journalist Eve Pretson crawls from the wreckage of a burnt out car nearby. She suffers a complete loss of memory – with no recollection of who she is or anything that preceded the accident. Weak and disorientated, she stops at a gas station for help, but instead witnesses the murder of a local mechanic. How are these events connected? In a desperate search for answers, Eve pieces together the scattered fragments of her life, becoming ever more fearful of all she uncovers.

An Israeli counterterrorism soldier with a secretly fabulous ambition to become a Manhattan hairstylist. Zohan’s desire runs so deep that he’ll do anything — including faking his own death and going head-to-head with an Arab cab driver — to make his dreams come true.

When a little girl is kidnapped by a trafficking ring, they soon find they messed with the wrong child. Her mother, a notorious former gang leader, is close on their trail and will go to any lengths to bring her child home.

After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor.

An object is shot down over Seattle and the debris begins to effect the local weather ultimately threatening the whole world.

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Four soldiers trapped behind enemy lines must confront their fears and desires while finding a way back to their battalion.

Female prisoners in a Phillippine jail are being subjected to sadistic torture. Five of the women–along with the help of two men–plot an escape.

While struggling to save her father during a Category 5 hurricane, a young woman finds herself trapped inside a flooding house and fighting for her life against Florida’s most savage and feared predators.

A migrant worker named Austin finds himself the target of a deadly corporate cover-up in a small Wyoming town.

José Ferrer won the Oscar for Best Actor for his portayal of the swordsman-poet using his silver tongue to woo the woman he loves for another man. Cyrano de Bergerac is a play written in 1897 by Edmond Rostand. Although there was a real Cyrano de Bergerac, the play is a fictionalization of his life that follows the broad outlines of it. The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the Alexandrine format, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the dames précieuses glimpsed before the performance in the first scene. The play has been translated and performed many times, and is responsible for introducing the word “panache” into the English language.