Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
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A giant asteroid is heading toward Earth so some astronauts disembark from a nearby space station to blow it up. The mission is successful, and they return to the station unknowingly bringing back a gooey green substance that mutates into one-eyed tentacled monsters that feed off electricity. Soon the station is crawling with them, and people are being zapped left and right!
Iron Monkey is a Hong Kong variation of Robin Hood. Corrupt officials of a Chinese village are robbed by a masked bandit known as “Iron Monkey”, named after a benevolent deity. When all else fails, the Governor forces a traveling physician into finding the bandit. The arrival of an evil Shaolin monk, brings the physician and Iron Monkey together to battle the corrupt government.
While working alone late at the office one night, Veronica is raped by a returning male colleague, who accidentally kills her in the process (she falls back and hits her head on a sharp object). Later that same evening, he comes across a bar hostess who looks identical to the woman that he has just murdered. He eventually talks her into showing up for work in Veronica’s place on the very next day, and handing in her resignation. Unfortunately for him, she is persuaded to stay, and decides to continue impersonating the deceased secretary.
People in the future live in a totalitarian society. A technician named THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to make puppets out of people. As THX is without drugs for the first time he has feelings for a woman and they start a secret relationship.
In a ghetto where religion and drug trafficking rub shoulders, Dounia has a lust for power and success. Supported by Maimouna, her best friend, she decides to follow in the footsteps of Rebecca, a respected dealer. But her encounter with Djigui, a young, disturbingly sensual dancer, throws her off course.
Emmanuelle, a svelte, naive young woman, is en route to Bangkok where she’ll join her new husband. He works for the French Embassy and has a lovely home, several dedicated servants, and an expensive car at his disposal. Once Emmanuelle arrives, her husband and a few friends introduce her to a realm of sexual ecstasy she’d never imagined.
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a hair-brained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.