Space Cop is a sci-fi schlock comedy about a cop from the future (of space) who travels to the present, where he’s teamed up with a cryogenically frozen cop from the past who has been thawed out in the present. Out of time and out of place, these two unwitting heroes must work together to save the world from a group of renegade aliens and the re-animated brain of a mad scientist bent on global extinction.

The manager of a small town public access station questions the legacy of his favorite children’s show mascot when he learns that the man inside the costume had been carrying a dark and scandalous secret.

A year after Darcy ran over Aiden, his amnesia is gone but not their love. Now she’s gotten him a first edition signed copy of his favorite book, Patricia Highsmith’s Found in the Street, for Christmas, perfect since that’s where she found him—under her bicycle! Aiden’s also creating a wonderful gift for Darcy, a carved replica of her hometown, just like the one her dad carved for her mother. But Aiden’s gift, which includes a carving of Darcy’s beloved rec center, which is in jeopardy of closing, holds another big surprise, which might just sweep her off her feet.

When Captain Amazing (Kinnear) is kidnapped by Casanova Frankenstein (Rush) a group of superheroes combine together to create a plan. But these aren’t normal superheroes. Now, the group who include such heroes as Mr. Furious (Stiller), The Shoveller (Macy) and The Blue Raja (Azaria) must put all the powers together to save everyone they know and love.

Following the arrest of her mother, Ramona, young Vanessa Lutz decides to go in search of her estranged grandmother. On the way, she is given a ride by school counselor Bob Wolverton. During the journey, Lutz begins to realize that Bob is the notorious I-5 Killer and manages to escape by shooting him several times. Wounded but still very much alive, Bob pursues Lutz across the state in this modern retelling of Little Red Riding Hood.

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.

On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.

Mickey, who happens to be a werewolf and a crime boss, gets all worked up and hairy during a private dance at a strip club. Justice, the dancer, grabs the nearest weapon and lands a fatal blow: her silver fountain pen right through Mickey’s wolfed-out eye. This ignites a small-scale war between Mickey’s group of werewolf mobsters and the sultry strippers of Vixens.

Thirty years after serving together in the Vietnam War, Larry “Doc” Shepherd, Sal Nealon and the Rev. Richard Mueller reunite for a different type of mission: to bury Doc’s son, a young Marine killed in Iraq. Forgoing burial at Arlington National Cemetery, Doc and his old buddies take the casket on a bittersweet trip up the coast to New Hampshire. Along the way, the three men find themselves reminiscing and coming to terms with the shared memories of a war that continues to shape their lives.

The movie starts 5 years after stuntman Eugene Koekemoer and his crew of misfit stuntmen left the world of fame with their Stunt TV shows and started to work regular 9 to 5 jobs.

Maynard, a beloved local businessman is mistaken for the legendary Bigfoot during an inebriated romp through town in a makeshift gorilla costume. The sightings set off an international Bigfoot media spectacle and a windfall of tourism dollars for a simple American town hit by hard times. When Brock Masterson, reality TV’s “Monster Hunter,” arrives to hunt the beast, Maynard agonizes over whether to come clean, destroying the rebirth of his beloved town, or perpetuate the inadvertent hoax.