Life’s A Breeze tells the story of a family as they search for a lost fortune around the streets of Dublin.
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A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
Siblings Monroe (Monroe Mann) and Hilary (Crystal Arnette) have discovered that they have inherited a lake house and to make things even better, the famous horror author Stephen King is rumoured to live somewhere nearby. They decide to take their friends down to the lake house to check things out, only to find immediate resistance from all of the locals, who insist that King doesn’t live in the area. Despite being completely unwelcome, they decide to stay and soon find that people are being killed one by one in a manner similar to several deaths in various Stephen King stories.
The Go Master is a 2006 biopic by director Tian Zhuangzhuang of renowned twentieth century Go master Wu Qingyuan, better known by his adopted name of Go Seigen. The film, which premiered at the 44th New York Film Festival, focuses on the life of this extraordinary player from his meteoric rise as a child prodigy to fame and fortune as a revolutionary strategic thinker, as well as the tumultuous global conflicts between his homeland and his adopted nation. The film also features a scene involving the Atomic bomb go game.
Set in Budapest in 1913, when the city was considered to be at the heart of Europe. 20-year-old Irisz Leiter, arrives in the Hungarian capital after spending her younger years in an orphanage, hoping to work as a milliner in the legendary hat store that belonged to her late parents. She is suddenly confronted with her past and starts searching for answers about her family before stumbling upon dark secrets.
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…