The chance to shine in a singing competition offers much-needed hope for a Southern middle-schooler who’s drowning in worries, from bullies in the halls to turmoil at home — and the news that his reservist father has been called back to Afghanistan.
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Prot is a patient at a mental hospital who claims to be from a far away Planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
A fictional movie star, Gray Evans, goes through the disintegration of his marriage, his gradual mental breakdown, and his increasing obsession with a young film student who reminds Gray of his own life before becoming famous. A dark psychological drama, I Love Your Work explores the pressures of fame and the difference between getting what you want and wanting what you get.
Cidade de Deus is a shantytown that started during the 1960s and became one of Rio de Janeiro’s most dangerous places in the beginning of the 1980s. To tell the story of this place, the movie describes the life of various characters, all seen by the point of view of the narrator, Buscapé. Buscapé was raised in a very violent environment. Despite the feeling that all odds were against him, he finds out that life can be seen with other eyes: The eyes of an artist. By accident, he becomes a professional photographer, gaining his freedom.
A young and ambitious civil servant Jussi finds himself being in charge of the environmental permit of a huge nickel and uranium mine in Northern Finland. The Talvivaara mine, led by a charismatic globe trotting visioner Pekka Perä is introducing an entirely new method of collecting minerals whilst creating jobs in one of the poorest areas in Scandinavia. Jussi slowly discovers that he has been led astray by several people and that the new method has serious downsides he did not forsee. The mine is causing environmental hazards that are being hushed down. A new application for another permit is brough to his table by the same mine. Along with the application comes an interesting job offer and a chance of a new beginning. Jussi has to decide whether he will play along and if so, with whom.
The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.
The film follows Finnish army machine gun company in Continuation War against Soviet Union, 1941–1944. Based on Väinö Linna’s best selling novel Tuntematon Sotilas (The Unknown Soldier) and the novel’s uncensored version, Sotaromaani (A War Novel).
One man’s journey to disprove the theory of astrology leads him to answer some bigger question about life, love, fate and destiny.
A retired cyber game player recruits a team of rookies to play in the national league.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
