Emily decides to air the skeletons in her closet and brave the scrutiny of a catty dinner party to win back her name.

A young couple travels to Sweden to visit their friend’s rural hometown and attend its mid-summer festival. What begins as an idyllic retreat quickly descends into an increasingly violent and bizarre competition at the hands of a pagan cult.

The pit has spoken. Dawai, the potter of a backwoods community, has crafted a face on a ceramic jug of the person that the pit wants sacrificed. Ada, pregnant with her brother’s child, has seen her face on the jug and hides it in the woods, determined to save the life of her unborn. If she does not sacrifice herself however, the creature from the pit will kill everyone in the village until she does.

In a village, a young archaeologist falls in love with a landlord’s daughter. Their union seems doomed. But destiny brings them together a year later. Will they live happily ever after?

As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.

After their newly adopted daughter goes missing in a small town, Steven and Shannon will stop at nothing to uncover the truth behind her disappearance and the dangerous secret behind the adoption agency they trusted. Risking their own lives, they will discover just what being a parent means and how far they will go to get their child back.

A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. “Office at Night”, “Western Motel”, “Usherette”, “A Woman in the Sun”) into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.

Dominic Brunt’s impressive second feature after the beloved ‘Emmerdale’ actor took the genre by storm with BEFORE DAWN is a tense female revenge saga – a frightening true-life crime thriller graced by a scalpel-sharp screenplay and extraordinary performances. Two women who dream of opening their own café in a work-depressed northern town go to the wrong person for a loan in this chilling allegory of the economic brutality independent businesses face within the austerity-led banking system. Unable to meet the outrageous payment demands, the hardened duo must find it within themselves to take pitiless, bloody retribution on their malicious aggressor.

Rootless Hungarian émigré Willie, his pal Eddie, and visiting sixteen-year-old cousin Eva always manage to make the least of any situation, whether aimlessly traversing the drab interiors and environs of New York City, Cleveland, or an anonymous Florida suburb.

After surviving a fall from a plane 3000-feet over the ocean, a former CIA operative turned government contractor re-infiltrates a dangerous North Mexican drug trafficking ring to find his own killer. With his memory unraveling, he descends into a murderous rampage while trying to uncover the truth. Who threw him from the plane? Was it his best friend?

Julie is a young tennis star who falls in love with his trainer – because she yearns for love and because she wants to liberate themselves from the ambitions which the father has on her behalf. Birgitte Hjort Sørensen has a conflict and fragile Juliet, and Rolf Hansen is the coach who tries to keep Julie from life. Other actors, Jesper Christensen as ambitious and indebted father, Trine Appel as the coach’s disdain fiance and Niels Skousen as a nightclub owner. “Julie” is a modern update of August Strindberg’s “Miss Julie”.

An abandoned baby boy is rescued from floodwaters by Kantaben and Nattubhai, the kindly proprietors of a small orphanage. They name the baby Krishna, because the way he was found parallels the legend of how the god Lord Krishna came to live with his adoptive parents as a baby. Orphan Krishna lives happily in the orphanage with Kanta and Nattu and the other foundling children. But over the years, as one by one his other friends are adopted out to families but he remains, young Krishna comes to believe that he is unadoptable, unwanted, and will never find a family. In despair, all alone one night he goes to a temple and prays to Lord Krishna. This is the story of how Lord Krishna himself (in his childhood ‘butter thief’ avatar) comes to Earth and befriends the young orphan Krishna … and helps him to discover his family