Internationally released Director’s Cut of “Loro 1” and “Loro 2”, which where released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.
You May Also Like
A man and woman must face the tension that builds between them during a long-distance relationship.
While young and in her prime, Nadia decides to retire from pro swimming after the Olympic Games; to escape a rigid life of sacrifice. After her very last race, Nadia drifts into nights of excess punctuated by episodes of self-doubt. But even this transitional numbness cannot conceal her true inner quest: defining her identity outside the world of elite sports.
After his entire department is outsourced, an American novelty products salesman heads to India to train his replacement.
When Leonard Vole is arrested for the sensational murder of a rich, middle-aged widow, the famous Sir Wilfrid Robarts agrees to appear on his behalf. Sir Wilfrid, recovering from a near-fatal heart attack, is *supposed* to be on a diet of bland, civil suits. But the lure of the criminal courts is too much for him, especially when the case is so difficult: Vole’s only alibi witness is his wife, the calm and coldly calculating Christine Vole. Sir Wilfrid’s task becomes even more impossible when Christine agrees to be a witness not for the defence but for the prosecution.
During a shootout in a saloon, Sheriff Hunt injures a suspicious stranger. One of the villagers takes care of him in prison. One day they both disappear – only the spear of a cannibal tribe is found. Hunt and a few of his men go in search of the prisoner and his nurse.
The political murder of a Moscow lawyer and the cancellation of 259 pending American adoptions of Russian orphans are seemingly disparate events found to have a deep and insidious connection. Connecting the dots from Russia’s warehousing of abandoned and special needs children to the cross-borders dealings of a billionaire investment banker to one American family’s tragedy, the film explores how Russian political corruption is linked to a single adopted child, whose accidental death becomes the declared reason behind Putin’s Russian Adoption Ban.
The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
Seven friends – three women and four men – meet for dinner. Everyone should put their cell phone on the table. No matter what message comes in – anyone can read it and listen to the phone calls. However, this leads to a lot of chaos.
Troubled police detective Jack Lucas is falsely accused of a series of murders and must prove his innocence by catching the real serial killer.
Yeni is unhappy. She is unhappy because she lacks wealth. She lacks wealth because she lives in a small village. Yeni wishes she was in the city. Happiness lives in the city. ‘Moth’ explores the notion of happiness as a destination. We all have ideas of what elation looks like that are personal and unique to ourselves, yet these thoughts are often formed from seeing others. The joy of others, whether they share similarities to us or not, can seem reachable if we had what they have. Their bliss comes from wearing apparel that can fit anyone, even us. If Yeni were to reach the city, will she have reached happiness?
When a college student starts having a reoccurring nightmare, she begins to believe that it’s a suppressed memory. Her search to find the answers forces her to confront her past traumas, while at the same time, helps her unlock a mystery that may bring a killer to justice.
