An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.
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Andrés and his son Pedro live in a working district of Caracas and hardly ever see each other. While Andrés fills his time doing different jobs, Pedro wanders the streets playing with friends and learning from the violent atmosphere around him.
Los Angeles, 1949. Ruthless, Brooklyn-born mob king Mickey Cohen runs the show in this town, reaping the ill-gotten gains from the drugs, the guns, the prostitutes and — if he has his way — every wire bet placed west of Chicago. And he does it all with the protection of not only his own paid goons, but also the police and the politicians who are under his control. It’s enough to intimidate even the bravest, street-hardened cop… except, perhaps, for the small, secret crew of LAPD outsiders led by Sgt. John O’Mara and Jerry Wooters who come together to try to tear Cohen’s world apart.
The Missing’ centres on the mysterious case of a policewoman’s missing daughter. When the main suspect suffers amnesia due to a car accident, both sides of the law must team up to try to find out the truth.
The way of the eagle is to raise two chicks. The stronger is destined always to throw the weaker from the nest. Man also has his ways, often to hurt those closest to him. Lukas suffers at the hands of a father who has withdrawn since the loss of his wife. Killed whilst rescuing the infant Lukas, the boy now carries the burden of her death. Our eagle’s story begins in the nest. The first-born chick pushes his weaker brother to a certain death on the forest floor. But fate intervenes and the chick is found by Lukas. Naming him Abel, Lukas cares for the creature in secret, finding a love and companionship denied to him at home. But when the day comes to release Abel back into the wild, will Lukas find his own release into a new life?
I (Takumi Kitamura) am a high school student. I happen to find a diary by my classmate Sakura Yamauchi (Minami Hamabe) that reveals she is suffering from a pancreatic disease. I spent time with Sakura, but she dies. 12 years later, due to Sakura’s words, I (Shun Oguri) am now a high school teacher at the same school where I graduated from. While I talk with my student, I remember several months I spent with Sakura. Meanwhile, Kyoko (Keiko Kitagawa), who was Sakura’s friend, is soon to marry. Kyoko also recalls the days she spent with me and Sakura.
We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.
While working in the US on a temporary visa as a caretaker, Mara, a 30 year-old single mother from Romania, marries Daniel, an American. After the arrival of her son Dragos, everything seems to have fallen perfectly into place. When the process of getting a green card veers unexpectedly off course, however, Mara is faced with abuses of power on every level and forced to answer a dark question about herself – how far would you go to get what you want?
