Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.

An extremist group travels back in time to assassinate Christ before the crucifixion. The fate of the world now depends on a genius with no faith… and a man who has lost his.

Experienced Green Beret sergeant Johnny Gallagher is escorting a prisoner, Airborne Ranger Thomas Boyette, back to the US, but Boyette escapes and Gallagher must risk life and limb to catch him.

Caught in the crosshairs of police corruption and Marseille’s warring gangs, a loyal cop must protect his squad by taking matters into his own hands.

The story is based on the life of Rifleman Jaswant Singh Rawat. 55 years ago during 1962 Indo-China war , when the destiny of war was pre decided, there stood a brave soldier from 4th Garhwal Rifle against all odds and guarded our post from Nurunaang Base in Arunachal Pradesh then called NEFA border.

In the 1980s, Charles, an enigmatic con man and a vicious killer and Commisioner Amod Kanth are embroiled in a game of cat and mouse.

Nash Bridges continues to run San Francisco’s SIU in 2020 while confronting a changing city, a new boss, and a world in which police work focuses on modern data-crunching and predictive policing. Although the world around him has changed, Nash hasn’t.

The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)

A dramatisation that follows Tony Blair’s journey from political understudy waiting in the wings of the world arena to accomplished prime minister standing confidently in the spotlight of centre stage. It is a story about relationships, between two powerful men (Blair and Bill Clinton), two powerful couples, and husbands and wives.

Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature wrecks his revenge on the perpetrator of his misery: Baron Frankenstein.

“The Iron Orchard” is the story of Jim McNeely, a young man thrust into the vibrant and brutal West Texas oilfields in 1939, who works his way through the ranks to ultimately become a formidable wildcatter.

A young med student struggling with her tuition fees is drawn into the shady world of underground body modification.