At long last, Madea returns to the big screen in TYLER PERRY’S MADEA GOES TO JAIL. This time America’s favorite irreverent, pistol-packin’ grandmomma is raising hell behind bars and lobbying for her freedom…Hallelujer!
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This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.
Germany, May 1945, deep in the Harz Mountains a U.S. tank crew discovers a platoon of Germans preparing to ambush U.S. supply trucks.
Heidecker beats a murder charge for selling faulty e-cigarettes at an EDM festival, and mounts a campaign to unseat the San Bernardino District Attorney. His effort to win voters tries to overcome a lack of experience and funding by leaning into the candidate’s personal likability. It does not go well.
A clueless, flamboyant college kid discovers that the soul of a great vampire king resides within him. Now he must choose between his friends and his destiny.
A former pro-wrestler is hired to be the bodyguard/nanny for a couple of bratty kids whose inventor father is being stalked by a rival.
Abandoned by his mother shortly after immigrating to America, Gon is raised by the mafia and grows up to become a cold-blooded hitman. Though usually flawless in taking out his targets, Gon makes a terrible mistake of killing an innocent young girl. Swamped by feelings of regret, guilt and shame, Gon no longer wants to be a hitman, but his boss gives him one last mission. So Gon finds himself in Korea, the land of the mother that abandoned him, on the trail of his last target. But in bitter irony, that target is Mo-gyeong, the mother of the dead child.
Cop-turned-security guard Ma Xianyong finds himself in a criminal twilight zone when two unrelated events turn his world upside down. The mysterious disappearance of his boss has implications for his financial security. Even more perilous is the abduction of his paralyzed sister who, unknown to Ma, makes a morbid deal with her captors.
A psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.
Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.