In the early 1800’s, a group of fur trappers and Indian traders are returning with their goods to civilization and are making a desperate attempt to beat the oncoming winter. When guide Zachary Bass is injured in a bear attack, they decide he’s a goner and leave him behind to die. When he recovers instead, he swears revenge on them and tracks them and their paranoiac expedition leader down.
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Fire investigator Sean McCaffrey, son of the late Steven “Bull” McCaffrey, is now working at the same Chicago firehouse along with his uncle Brian. When Sean is assigned to investigate a deadly fire, he and partner Maggie soon realize that they are dealing with something much more than a routine fire. The clues they discover lead them down a treacherous path of arson, murder, and international terrorism. Sean must use his intuition, along with the help of infamous jailed arsonist Ronald Bartel, in a race to find out who is behind the fire and stop them from accomplishing their devious plans.
A township near Cape Town. Two young teens, Madiba and Sipho, find a gun and a camera. Sipho takes the gun, and Madiba the camera, sealing their fate.
Ben-Hur is a 1959 epic film directed by William Wyler, the third film version of Civil War vet Lew Wallace’s 1880 novel Ben-Hur: A Tale of the Christ. It premiered at Loew’s State Theatre in New York City on November 18, 1959. The movie’s reputation as a classic is primarily based on two spectacular action sequences: the great chariot race and a Roman naval battle, along with lavish production values and strong performances. The plot of Ben Hur revolves around a Jewish prince who is betrayed and sent into slavery by a Roman friend and how he regains his freedom and comes back for revenge. However, instead he finds redemption in Christ, the theme is ultimately about being saved in the Christian sense. The film went on to win a record of eleven Academy Awards, including Best Picture and Best Actor (Charlton Heston as Ben Hur). This record-setting Oscars sweep has since been equaled by Titanic in 1998 and The Lord of the Rings: The Return of the King in 2004, but never broken.
A reclusive, disillusioned Army veteran is prompted into action when his only friend goes missing on a down-at-heel council estate.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Drawing inspiration from the death-squad murders of several Gypsy families in Hungary in 2008, director Bence Fliegauf’s chilling and unforgettable real-life horror story follows a family whose dreams of emigration and escape are suddenly, horribly destroyed.
A story of the caring friendship formed between a crusty, old anti-Semite and an eight-year-old Jewish boy who goes to live with him during World War II.
Twenty years after the events of Iron Sky, the former Nazi Moonbase has become the last refuge of mankind. Earth was devastated by a nuclear war, but buried deep under the wasteland lies a power that could save the last of humanity – or destroy it once and for all. The truth behind the creation of mankind will be revealed when an old enemy leads our heroes on an adventure into the Hollow Earth. To save humanity they must fight the Vril, an ancient shapeshifting reptilian race and their army of dinosaurs.
The story follows a young lawyer, Arthur Kipps, who is ordered to travel to a remote village and sort out a recently deceased client’s papers. As he works alone in the client’s isolated house, Kipps begins to uncover tragic secrets, his unease growing when he glimpses a mysterious woman dressed only in black. Receiving only silence from the locals, Kipps is forced to uncover the true identity of the Woman in Black on his own, leading to a desperate race against time when he discovers her true identity.