Three Yemeni teenage girls enter an entrepreneurship competition but along the way encounter the hardships of a country marked by a broken educational system, joblessness and a threatening Al-Qaeda presence.

A women moves into an apartment in Manhattan and learns that the previous tenant’s life ended mysteriously after the tenant fell from the balcony.

A teenage boy’s infatuation with a woman he sees on the bus further complicates his already tumultuous adolescence.

In 2008 the Taj Mahal Palace Hotel in Mumbai becomes the target of a deadly attack by Pakistani militants. Dozens of people are held hostage as fire races through the building.

Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trial of bodies behind them. The violence escalates throughout.

When his mom deposits him at the Red Hook housing project in Brooklyn to spend the summer with the grandfather he’s never met, young Flik may as well have landed on Mars. Fresh from his cushy life in Atlanta, he’s bored and friendless, and his strict grandfather, Enoch, a firebrand preacher, is bent on getting him to accept Jesus Christ as his personal savior. Only Chazz, the feisty girl from church, provides a diversion from the drudgery. As hot summer simmers and Sunday mornings brim with Enoch’s operatic sermons, things turn anything but dull as people’s conflicting agendas collide.

When her son is accused of raping and trying to murder his ex-wife, Alicia embarks on a journey that will change her life forever.

Ray Charles plays himself in this film where he helps blind boy David (Piers Bishop) in his struggle to regain his sight. David’s over-protective mother Peggy (Mary Peach) is afraid of the risks connected with restoring his sight. Ray tries to help the whole family, offering the heavy-drinking Peggy’s heavy-drinking partner Steve (Tom Bell) an opportunity to work with his band.

David Tennant stars in a film of the Royal Shakespeare Company’s award-winning production of Shakespeare’s great play. Director Gregory Doran’s modern-dress production was hailed by the critics as thrilling, fast-moving and, in parts, very funny.

J.R. is a fatherless boy growing up in the glow of a bar where the bartender, his Uncle Charlie, is the sharpest and most colorful of an assortment of quirky and demonstrative father figures. As the boy’s determined mother struggles to provide her son with opportunities denied to her — and leave the dilapidated home of her outrageous if begrudgingly supportive father — J.R. begins to gamely, if not always gracefully, pursue his romantic and professional dreams, with one foot persistently placed in Uncle Charlie’s bar.

In 1971, António Lobo Antunes’ life is brutally interrupted when he is drafted into the Portuguese Army to serve as a doctor in one of the worst zones of the Colonial War – the East of Angola. Away from everything dear he writes letters to his wife while he is immersed in an increasingly violent setting. While he moves between several military posts he falls in love for Africa and matures politically. At his side, an entire generation struggles and despairs for the return home. In the uncertainty of war events, only the letters can make him survive.

Somaieh, the youngest daughter of an indigent family, is getting married and fear is overwhelming each and every member of the family regarding how to overcome their difficulties after she’s gone.