Built upon a 14 hour interview, McKellen: Playing the Part is a unique journey through the key landmarks of McKellen’s life, from early childhood into a demanding career that placed him in the public eye for the best part of his lifetime. Using an abundance of photography from McKellen’s private albums and cinematically reconstructed scenes, a raw talent shines through in the intensity, variety and devotion to that moment in the light.
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Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 – and the backgrounds of those making decisions – immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over.
The intimate story behind our changing relationship with death. A terminal diagnosis used to mean death within months. Modern medicine allows patients to live on for years. A passionate and touching film about uncertainty, about the future that faces all of us, following five patients who choose to sing their way through life, with a score by Mark Orton.
In the 15th century, despite so many accomplishments he has made for the people, King Sejong, his biggest goal is still remaining; the invention of original letters that can be read and written by all the people. But courtiers who want to dominate the knowledge and the power, are against his will and discourage his belief. Frustrated King Sejong hears about a bonze Sinmi a phonogram expert, and secretly brings him in the palace…
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The last movie from the team of Ismail Merchant, James Ivory, and Kazuo Ishiguro. Set in 1930s Shanghai, “The White Countess” is both Sofia (Natasha Richardson), a fallen member of the Russian aristocracy, and a nightclub created by a blind American diplomat named Jackson (Ralph Fiennes), who asks Sofia to be the centerpiece of the world he wants to create.
How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.