On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.
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A convert to Islam sends the U.S. government a tape showing him in three nondescript storage rooms, each of which may contain a nuclear bomb set to detonate in less than a week. Helen Brody, an FBI agent in L.A., is tasked with finding the bombs while a CIA “consultant”, known as H, interrogates the suspect who has allowed himself to be caught. The suspect, whose wife and children have left him and disappeared, seems to know exactly what the interrogation will entail. Even as H ratchets up the pressure, using torture over Brody’s objection, the suspect doesn’t crack. Should H do the unthinkable, and will Brody acquiesce? Is any Constitutional principle worth possible loss of life?
Several players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others to drugs, and some to studying.
During their journey the expedition led by Captain Choi Do-hyung discovers a journal that was left behind by a British expedition 80 years earlier. The journal was remarkably preserved in a box in the snow and Kim Min-jae, another member of the expedition, gets the job of examining it. It turns out that the two expeditions shared the same goal and soon other strange similarities between them start to show up.
When a hateful, vitriolic basement dwelling podcaster goes viral, he garners an audience of violent sycophants and incensed enemies – and faces deadly backlash when he’s doxxed by activist hackers.
A young tomboy, Watts, finds her feelings for her best friend, Keith, run deeper than just friendship when he gets a date with the most popular girl in school.
When a mysterious “John Doe” wakes up in a morgue and wanders into a psychiatric ward, a devoted doctor and curious medical examiner must slowly uncover dark and sinister secrets about the man that reveal a more horrifying truth than they could have ever imagined.
Switzerland, 1955. The young orphan Max is sent as a foster child and contracted to work for the Bösiger family who lives on a farm. His foster parents treat him like a workhorse while their son seizes every opportunity to humiliate him. Playing the accordion is the one thing that is entirely his. But when the new teacher stands up for Max, it only makes a bad situation much worse. The only thing preserving his will to survive is his friendship with Berteli, who was also taken on to work at the farm. Max dreams of Argentina with her: a fantasy world, where allegedly even hayforks are made of silver.
Henry is a lawyer who survives a shooting only to find he cannot remember anything. If that weren’t enough, Henry also has to recover his speech and mobility, in a life he no longer fits into. Fortunately, Henry has a loving wife and daughter to help him.
Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
