Intersecting stories with different moms collide on Mother’s Day.
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If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.
Too shy to make a proper introduction, a recent college grad devises to shoot a documentary about the NYC nightlife scene in order to meet the go-go guy he’s cyber-obsessed with.
A lonely construction worker from China goes missing at a Singapore land reclamation site, and a sleepless police investigator must put himself in the mind of the migrant to uncover the truth beneath all that sand.
Two gangsters kidnap a psychic to find out where the man they murdered buried the loot.
Based on the novel by the same name from Nicholas Evans, the talented Robert Redford presents this meditative family drama set in the country side. Redford not only directs but also stars in the roll of a cowboy with a magical talent for healing.
Charlie Anderson, a farmer in Shenandoah, Virginia, finds himself and his family in the middle of the Civil War he wants nothing to do with. When his youngest boy is taken prisoner by the North the Civil War is forced upon him.
The Wrecker wrecks trains on the L & R Railroad. One of his victims is Larry Baker’s father. Baker wants to find the evildoer, among a host of suspects, but it will be difficult since the Wrecker can disguise himself to look like almost anyone
A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.
After the Ball, a retail fairy tale set in the world of fashion. Kate’s dream is to design for couturier houses. Although she is a bright new talent, Kate can’t get a job. No one trusts the daughter of Lee Kassell, a retail guru who markets clothes “inspired” by the very designers Kate wants to work for. Who wants a spy among the sequins and stilettos? Reluctantly, Kate joins the family business where she must navigate around her duplicitous stepmother and two wicked stepsisters. But with the help of a prince of a guy in the shoe department her godmother’s vintage clothes and a shocking switch of identities, Kate exposes the evil trio, saves her father’s company — and proves that everyone can wear a fabulous dress.
