A former pro-wrestler is hired to be the bodyguard/nanny for a couple of bratty kids whose inventor father is being stalked by a rival.
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A man without attachments or responsibilities suddenly finds himself with an abandoned baby and leaves for London to try and find the mother. Eight years later after he and his daughter become inseparable Gloria’s mother reappears.
A veritable chameleon, investigative reporter Irwin “Fletch” Fletcher might drive his editor up the wall, but he always produces great pieces for the newspaper. When his next story is about the drug trade taking place on the beach, Fletch goes undercover as a homeless man. Unaware of Fletch’s true identity, businessman Alan Stanwyk offers Fletch $50,000 to kill him. Intrigued, Fletch decides to unearth the full story behind the offer.
Burt Gummer returns home to Perfection, Nev., to find that the town of terror has become a theme park, and when the simulated giant worm attacks turn real, the survivalist must battle the creatures once again. Gummer pits his impressive knowledge of weaponry against the newest and deadliest generation of flesh-eating graboids, with help from two young entrepreneurs.
Paul Hogan plays Charlie McFarland and Shane Jacobson plays his estranged son, Boots. After a family tragedy Charlie and Boots try and put their differences aside and head off on the road trip of a lifetime – from regional Victoria to the Cape York Peninsula – they overcome many challenges to reach their dream – to fish off the northern most tip of Australia.
When Ida, cheeks streaked by mascara tears, unexpectedly shows up at her sister’s, the staid Alison bargains her way out of mom duty for the night and the two head off to an Eastside wine bar. There, they run into Will and the freshly divorced, sweatpants-attired Clark. After some slightly inebriated commiserating about mismanaged marriages and other adult concerns, the foursome head out into the night, careening from downtown lofts to pot dispensaries to midnight swims and back again, determined to prove they still have what it takes to have a good time.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
A mysterious diver hiding in Amsterdam’s canal system embarks on a rampage of gruesome murders, terrifying city officials and leaving few clues for the city’s best detective, who doesn’t suspect that both his new girlfriend and twelve-year-old daughter may be closer than he is to finding the killer.
Aaron Davis (Steve Sandvoss) and Christian Markelli (Wes Ramsey) are the two most opposite people in the world. Aaron is a young Elder (or a Mormon missionary) who wants to do his family proud and is quite passionate about his religion and film. Christian is a shallow WeHo waiter/party boy who only looks forward to bedding a new guy every night.