Namibia: The Struggle for Liberation is a 2007 epic film on the Namibian independence struggle against South African occupation as seen through the life of Sam Nujoma, the leader of the South-West Africa People’s Organisation and the first president of the Republic of Namibia.
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In a small Alabama town in the 1930s, scrupulously honest and highly respected lawyer, Atticus Finch puts his career on the line when he agrees to represent Tom Robinson, a black man accused of rape. The trial and the events surrounding it are seen through the eyes of Finch’s six-year-old daughter, Scout. While Robinson’s trial gives the movie its momentum, there are plenty of anecdotal occurrences before and after the court date: Scout’s ever-strengthening bond with older brother, Jem, her friendship with precocious young Dill Harris, her father’s no-nonsense reactions to such life-and-death crises as a rampaging mad dog, and especially Scout’s reactions to, and relationship with, Boo Radley, the reclusive ‘village idiot’ who turns out to be her salvation when she is attacked by a venomous bigot.
An ambitious Hollywood hustler becomes involved with a reclusive female star whom he tries to lure out of retirement.
Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette’s deceased pet dog. Eventually, however, Paulette’s stay with Michel’s family is threatened by the harsh realities of wartime.
Novelist Jeong-seok is looking for his missing wife. A woman appears in front of him and suggests that she can find his wife. Meanwhile, some people approach him and ask him to find missing people. They find themselves becoming chased at some point.
With nothing more than a blazing spirit of philanthropy and his beat-up red wagon, Zach sets out to help homeless children in America. In the process, he sweeps his fractured family – and ultimately the entire country – along with him.
The story of 4 lives slammed together in a shocking moment. Intercutting between a carjacking and the separate stories of the 4 kids, we watch as they hurtle toward a life-changing end.
A boozy lowlife (Philip Seymour Hoffman) tries to bury the truth about his crazy stepson’s suspicious death, but a nosy newspaper columnist (Richard Jenkins) and the young man’s mother complicate matters.
In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today’s America.
