Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment. When Elise, his sister with three kids and no husband, moves in to his place to care for him, Pierre does not change his new habits. And instead of dan

Sophia is the perfect 17-year-old girl. She studies hard, stays out of trouble, and is a promising pianist. The only problem is that she’s always been quiet and keeps to herself, so when she strikes up a friendship with Grace, the new girl in school, her parents are happy for her. Unfortunately it’s not long before Grace starts showing signs of being possessive. Then, when she tries to destroy Sophia’s family and seduce her would-be boyfriend, Sophia can’t help but wonder if she’s befriended the wrong girl. Now, Sophia must uncover Grace’s secret past and learn the truth about her new friend before it’s too late.

After finding himself at the constant abuse of his best friend Bobby, Marty has become fed up with his friend’s twisted ways. His girlfriend, a victim of Bobby’s often cruel ways, couldn’t agree more and they strategize murdering Bobby.

For Billie and Nico, life with their father is a roller-coaster ride of playfulness and unease. When he is in the grip of alcohol, tears flow and their apparently idyllic family life collapses. Their mostly absent and irresponsible mother is not much help either. But their friendship with Malik, a boy of Billie’s age, frees them from their shackles. Together they embark on a journey full of intense moments of freedom. The colourful, emotional world of the three young people is depicted in kaleidoscopic black and white imagery, which opens space for their own notions of childhood. Alexandre Rockwell’s tale portrays a profound sense of solidarity and deep love: for cinema and Billie Holiday, and also for risk and adventure.

Mohammed Assaf, an aspiring musician living in Gaza, sets a seemingly impossible goal: to compete on the program “Arab Idol.”

Eun-joo moves out of her house “Il Mare”, leaving behind a Christmas card for the eventual new owner of the house in 1999. In it she asks him/her to forward any mail of hers to her new address in the city. It is 1997 and Sung-hyun, the first owner of “Il Mare” is moving in and finds in his mailbox the Christmas card from Eun-joo. Thinking it was a joke, Sung-hyun leaves her a letter telling her so and reminds her that its 1997 not 1999. Eventually the two realize that they are separated by two years of time but can somehow communicate through the mailbox and begin to form a friendship through their letters.

An American couple, Paul and Marianne, spend their vacation in Italy and experiences trouble when the wife invites a former lover and his teenage daughter to visit, which leads to jealousy and dangerous sexual scenarios.

Reverend David Poe and his psychiatrist wife trade hectic New York life for an idyllic rural farmhouse; the perfect place for 10 year old twins Jack & Emily to run, play and imagine. Documenting this lifestyle change, David decides to film every holiday and special family event. To the Poe’s horror their home movies reveal an increasing malice and evil within their children and by Valentines Day, the children’s sadism has turned to a blood lust for human prey.

Heading on a transatlantic voyage at sea from an Italian lab to America, D’Agostino is the story of a human clone left for dead at the shores of Santorini Greece. This lost cargo, commissioned by wealthy individuals for organ tranplants, is abandoned as the freight cannot be recovered. Allan Dawson has recently inherited his grandmother’s island estate. He’s in a loveless relationship with his common law spouse Sylvia. As he finds this interesting freight, what follows is a macabre tale of self realization as Allan proceeds to set himself out of his sedentary existence to mold his latest discovery into a new best friend with dire consequences.

Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.

The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.

After her father’s violent death, Native American teenager Margo Crane flees down Michigan’s Stark River in search of her estranged mother. On the way, she encounters allies, enemies, danger, and the beauty of nature, all while coming to grips with her past and her own identity. A Midwestern Gothic coming-of-age fable set along the riverbanks, Chicago musician-filmmaker Haroula Rose’s debut feature is an evocative marriage of Winter’s Bone and Huckleberry Finn.