Rod Taylor plays a policeman sent to return a sensitive case; An Australian citizen, currently acting as high commissioner for peace talks who is wanted for an old charge — of murder. The talks are too sensitive to be disturbed, so Taylor ends up watching Christopher Plummer as he conducts his talks, and discovers that some want the talks to fail enough to think that killing Plummer is an obvious way to stop them.
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Four women, who have their own different sorrows, embark on a road trip. They look back at their past and restart their lives… Jinko (Aoi Miyazaki) and Motoko (Sakura Ando) have been friends since their university days. One day, they hear a rumor about their former classmate and friend Miki (Kazue Fukiishi). The rumor is that Miki ran into the sea, but got out safely. Jinko and Motoko decide to visit Miki to see if she is OK. In addition, Haraki (Shiori Kutsuna), who Jinko met at the library where she works, joins their trip as a driver. Their one night and two days road trip begins.
Hired assassin John Lee is asked by Chinatown crime boss Terence Wei to murder the young son of policeman Stan Zedkov. Lee has the boy in his sights, but his conscience gets the better of him, and he spares the child’s life. Afraid that Wei will take revenge on his family in China, Lee seeks out expert forger Meg Coburn to obtain the passport he needs to get out of the country, but a band of replacement killers is soon on his trail.
Arnost Lustig was one of the world’s most renowned literary authors of our times. Lustig’s novel ‘A girl from Antwerp’ upon which our film Colette is based, draws on the author’s personal Nazi Concentration Camp experience and his own recollection of several escape attempts from the hell of Auschwitz. The story of The Pulitzer Prize nominee Lustig is about the power of love under an extreme life circumstances. It is a story of young lovers and their vigorous determination to escape from a hopeless life condition and theirs courage to face death.
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
The estranged daughter (Lauren Lee Smith) of a recently deceased filmmaker gains a new understanding of her father when she offers to create a retrospective of his work.
World World II: Shortly after D-Day, three American soldiers and two Army Corps nurses are stranded behind enemy lines. They take a high-ranking German officer as their prisoner and try to orchestrate an escape.
While maintaining a happy marriage with Adnan Hijri 2-year-old son lost their lives in an accident will be picked up. They had continued to live in the same home are no longer strangers. Hicran on top of it also begins to live that can not be explained by events in psychology is further distorted. Eventually a woman goes to a teacher and her second blood “41 stitches” learned that they called a spell. Known as the most powerful magic of “41 stitches magic” it can be made in 41 different faith. Hicran magic is to find the person who intends to solve and 41 from the intent of which is essential for learning. This search will bring face to face the facts could not even imagine it.
Two detectives investigating a gang-related find themselves targeted by both gang members and crooked cops.
Best friends Jeff and Tucker have grown up like most boys: playing video games and causing mischief. Now, late into their 20s, Jeff’s new job promotion is moving him out of the country and away from Tucker’s irresponsibility forever. With one last night together, they have to break into the UP-Ex shipping facility to steal back a package – a mysterious golden box – and hope their friendship can survive the adventure.
Winter 1839. LIBERTY, MISSOURI. Local jailer, Samuel Tillery is tasked with watching Missouri’s most wanted men as they await their upcoming hearing. Caught between the local Missourians’ increased drive to remove the prisoners, and the prisoners’ desperate efforts to survive, Tillery is pushed beyond what any lawman can endure. Based on actual recorded accounts, OUT OF LIBERTY is an intense, evocative western, with an outcome you have to see to believe.