Set in Norfolk, amidst an idyllic, brooding landscape, an innocent teenage boy and his battle-weary father live a simple life. Days are spent hunting, fishing and daydreaming. Out-of-nowhere, disrupting this tranquility, a mysterious intense figure gives the green light for the father to complete one last mission; he is a mercenary, hired to assassinate a group of revolutionaries holed-up in a remote, disused civil service outpost. A mission that threatens to destroy not just the compound but the love between a father and his son.
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Cynical reporter Charity (Amber Stevens West) gets the opportunity of a lifetime when her boss, Janet (Cheryl Ladd) assigns her to profile Erik Gallagher (Marco Grazzini), a handsome bachelor who organizes millions of dollars to help the less fortunate every Christmas.
Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.
Lindy is an acid-tongued woman with rage issues who controls her temper by shocking herself with an electrode vest. One day she makes a connection with Justin, who gives her a glimmer of hope for a shock-free future, but when he’s murdered she launches herself on a revenge-fueled rampage in pursuit of his killer.
Though having never once in her life seen her father, Hyun-soo has never felt his absense, as there is a perfect mother for her. Her mother is also a renowned plastic surgeon, so she is never lonely, surrounded by girls who want beauty consultations from her mother. But her happiness comes to an end as her friends who have received facial surgery from her mother start to commit mysterious suicides by cutting out their faces. She also starts to feel that there is someone else in the house where she lives alone with her mother. One day, she discovers a hidden basement and there, she comes to find a secret from her past, which will bring great turmoil to mother and daughter.
Housewife Annie Marsh suspects her husband might be The Hawk, a brutal serial killer. Complicating matters is the fact that she once was incarcerated in a psychiatric hospital. When she discovers she does not have the happy marriage she always believed and begins to piece together the times and dates of her husband’s frequent absences, her fears begin to take hold, and her sanity deteriorates.
In 1970, Joey and Pete left Nova Scotia to try life in the big city in the Canadian Classic Goin’ Down the Road. Now, some forty years later, Joey has died, and Pete must fulfill his last wish: to take his ashes back to Cape Breton Island, as well as a few other tasks along the way. Armed with a series of letters and an envelope full of money, Pete heads back home. DOWN THE ROAD AGAIN is a touching, comedic and romantic tale of second chances at life and love.
A police officer is forced to work for two warring crime syndicates while under an internal investigation.
Set in Hokkaido, Japan in the 1880’s. Jubei Kamata (Ken Watanabe), who is on the side of the Edo shogunate government, kills many people. His name is infamous in Kyoto. When the battle at Goryoukaku is about to be finished, Jubei disappears. 10 years later, Jubei lives with his kid in relative peace. He is barely able to make a living. Protecting his dead wife’s grave, Jubei has decided to never pick up a sword again, but due to poverty he has no choice but to pick the sword again. Jubei becomes a bounty hunter.
A chronicle of Nelson Mandela’s life journey from his childhood in a rural village through to his inauguration as the first democratically elected president of South Africa.
Albany, New York, Halloween, 1938. Francis Phelan and Helen Archer are bums, back in their birth city. She was a singer on the radio, he a major league pitcher. Death surrounds them: she’s sick, a pal has cancer, he digs graves at the cemetery and visits the grave of his infant son whom he dropped; visions of his past haunt him, including ghosts of two men he killed. That night, out drinking, Helen tries to sing at a bar. Next day, Fran visits his wife and children and meets a grandson. He could stay, but decides it’s not for him. Helen gets their things out of storage and finds a hotel. Amidst their mistakes and dereliction, the film explores their code of fairness and loyalty.
