In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.
You May Also Like
Jacques Tati’s gloriously choreographed, nearly wordless comedies about confusion in the age of technology reached their creative apex with Playtime, a lasting testament to a modern age tiptoeing on the edge of oblivion.
This prequel of the bone-chilling Tremors begins in the town of Rejection, Nev., in 1889, where 17 men die under mysterious circumstances. Spooked by recent events, the miners who populate the town leave in droves until there’s nothing left but a shell of a community. It’s up to the remaining residents to get to the bottom of the deaths — but they must do so before they, too, are eradicated off the face of the planet.
Gautam is an incorrigible flirt, who runs after every girl he sees. Meera is a pretty girl with desi values and attire, who comes to London from Delhi for a fresh start. Veronica is the spoilt bombshell who loves partying and drinking. Though different from each other, these three are perfect friends staying under one roof until friendship becomes confusing, and love becomes complicated.
A normal, average guy who lives in New York City becomes dependent on an evil, disembodied brain.
Liam is set to wed a younger French girl in the Hamptons. His sister Audrey and her husband Ethan drive to attend the wedding, yet Audrey’s motives are likely to stop the wedding. Audrey and Clemence do not get along, a perfect gorgeous French woman reminds herself of how imperfect her own life is. Feelings of jealousy due to her own lost opportunities, uncertainty of herself and her 40 years of lifetime choices could explode and scorch her new sister-in-law.
Praveen Patel, a 45-year-old married businessman, is approached by Shanaya, an actress, who wants to move in with him to prepare for a role. So he pretends to be single to impress her.
Based on the popular books, the story tells of Tony who wants a friend to add some adventure to his life. What he gets is Rudolph, a vampire kid with a good appetite. The two end up inseparable, but their fun is cut short when all the hopes of the vampire race could be gone forever in single night. With Tony’s access to the daytime world, he helps them to find what they’ve always wanted.
Eva and Kat enjoy a carefree existence on their houseboat on a London canal. Until Eva’s dream of becoming a mother is reignited by the death of their pet. Kat just wants to get a new cat. But when Kat’s best friend, Roger, visits from Barcelona, they decide in a moment of drunkenness that he can be Eva’s sperm donor. But what are the consequences for the lesbian couple, the biological father, the child and their relationships with one another?
A college student is determined to become a Major League Baseball star, but finds his true calling instead.
Peter Greenaway’s first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director’s beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else’s elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century.
