When Anna offers a stranded mother and son shelter in a blizzard, she learns that they are the Royal Family of Galwick. Anna shows the Prince how they do Christmas in her hometown, encouraging him to open his heart and be true to himself.
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Tbilisi, Georgia, 2016: In a patriarchal society, an ordinary Georgian family lives with three generations under one roof. All are shocked when 52-year-old Manana decides to move out from her parents’ home and live alone. Without her family and her husband, a journey into the unknown begins.
Two young women return home for their aunt’s funeral and discover that they may have also lost their mother – to addiction.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
Praveen Patel, a 45-year-old married businessman, is approached by Shanaya, an actress, who wants to move in with him to prepare for a role. So he pretends to be single to impress her.
Raymond, a young P.I. specializing in divorce, gets too ambitious and takes on a case that involves more than just snapping pictures of cheating couples. While searching for the estranged daughter of a client, Raymond discovers that she works as a stripper whose exploits bring together a desperate collection of lost souls – sucking everyone down a drain of despair, deceit, and corruption.
Andrea Marr is a bright, straight-A, mature, 18-year-old high school senior on the verge of womanhood who decides to abandon her sheltered, boring lifestyle and her bookish friend Darcy for a look into the local rock and roll scene as a groupie to local rock singer Tod Sparrow and learn more about the life of one who follows a touring band along with her new friends aspiring rock star wannabee Cybil, outgoing fellow groupie Rebecca, and music critic Kevin.
This is the story of Dame Barbara Windsor, the Cockney kid with a dazzling smile and talent to match. Preparing to perform in the theatre one cold evening in 1993, the cheeky, chirpy blonde Babs recounts the people and events that have shaped her life and career over fifty years from 1943 to 1993. She contemplates her lonely childhood and WWII evacuation, her decision to go from Barbara Ann Deeks to Barbara Windsor – inspired by the Coronation of Queen Elizabeth II, her complicated relationship with her father, her doomed marriage to Ronnie Knight, capturing the attention of Joan Littlewood and becoming the blonde bombshell in the Carry On films. Babs, ever the consummate professional, never lets her fans down whatever her personal anguish and steps on the stage to rapturous applause.
Ben Cooper and his family struggling to get a grip on household chores, school and work. Ben is the family caretaker. So when Ben sees that a Smart House is being given away, he enters the competition as often as he can. The family wins the house (named Pat). After moving in Pat’s personality begins to radically change, the family starts to resent her.
CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney’s abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 …
Still overwhelmed with guilt years after his high school sweetheart’s death, “Max” returns home seeking closure. Instead, he re-experiences the memories of falling in love with her. The mystery of what happened to this alluring young woman unravels as the past plays against the present.