Music journalist Andrew Deeley (DAVID GYASI) lives in a high-rise tower block, physically and mentally scarred from a vicious attack. Alone and cut off from the world, he obsesses over Kem (YENNIS CHEUNG), his beautiful Chinese neighbour. When Amy (PIPPA NIXON), a married woman he meets online, witnesses Kem’s kidnapping, Deeley is left with no choice but to find Kem himself. Armed with only an Oyster card and a hammer, Deeley spirals into the heart of the Triad underworld as he searches for a woman the world has forgotten.
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Two women get on the highway heading to Santa Fe. Marilyn dreams of winning a contest held by a famous belly dancing company, while her friend, Mona, has a secret: she’s a fugitive from justice – accused of her mother-in-law’s death.
On the trail of her missing sister, Charlotte enlists the help of Wayne, an ex-Marine and alcoholic, to infiltrate the Church of One Accord – a community of snake-handlers who risk their lives seeking salvation in the Holy Ghost.
Based on a true story, Isla and Grace were two typical teenage girls in love. Unfortunately, they fell for the same guy. Jake, a “ladies man”, was dating them both without their knowledge. When they discover that Jake is cheating on them, the girls turn on each other in a jealous rivalry and use their arsenal of social media platforms to badmouth and attack on another. While their followers take sides and pit them against each other, their hatred for one another escalates into a real-life fight that ultimately turns deadly.
When Matthew explores the ‘spiral’ in his grandmother’s garden (a strange structure built by his late grandfather) he discovers an entrance into the magical world of ‘the Shadows’ where he meets his new Shadow friends, Yorrick and Alice, and begins his great adventure.
A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.
DARK HORSE tells the larger than life true story of how a barmaid in a former mining village in South Wales bred a racehorse on her allotment that went on to become a champion. Jan had successfully bred dogs and birds and believed she could do the same with a different animal – though she knew nothing about racing and had never been on a horse. Convincing a handful of locals to part with ten pound a week for her scheme, she found a thoroughbred mare with a terrible racing record for £300, a stallion past his best, put them together and – against all the odds – bred a winner. It’s an audacious tale of luck and chance and beating the odds; a story of how a gaggle of working class folk from the Welsh Valleys took on the racing elite, broke through class and financial barriers, and brought hope and pride back to their depressed community.
Five campers arrive in the mountains to examine some property they have bought, but are warned by the forest ranger Roy McLean that a huge machete-wielding maniac has been terrorising the area. Ignoring the warnings, they set up camp, and start disappearing one by one. If that sounds too run-of-the-mill, there’s a genuinely shocking plot twist half-way through…