In a summer they won’t forget, two broke college students start filming parties for money. Hello dollar signs. Goodbye morals. Welcome to the night club scene.
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Residents of an East Texas town react strangely when a serial killer invades their small town world.
Gabriel is a man who on the surface has it all-successful professional life as an architect, a beautiful wife, Annie, and a devoted young daughter, Elizabeth. But slowly it dawns on him that he is not really happy. Gabriel decides that he wants to write a play about the sorry state of his life. He quits his job, gets a pushy literary agent friend to represent him and starts writing. Although his marriage ends in a divorce, the play is success and although his life is different than it was, he is happier.
Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).
A teenager from an abusive household falls in love with a free-spirited runaway that leads him into the fast-lane lifestyle of drugs and addiction which threatens to destroy him.
Jay Mandao and his nephew-in-law Jackson use astral projection to reverse a ghost’s death on Halloween.
When a bitter rivalry between two brothers finally erupts into bloody, life-changing violence it is younger bother Greg who signs up for frontline battle in France. Greg discovers a world of uncompromising brutality as we follow him on his journey through France at the outbreak of World War 2.
Malcom’s done with his life. Only the noise of Crystal Meth gives him a reason to keep going – everything else it has long regardless. Equipped with a bag full of weapons and self-made bombs, he makes his way to the nearby mall to really stir things up. On his personal war campaign, he not only changes his life radically, but also the fate of other people who are in the wrong place at the same time: a teenager whose favorite pastime is smoking pot in his dreary existence, a housewife, where their best days have been left behind, a greedy businessman whose only desire is to increase his wealth and a depressed pervert.
A lazy stoner surf-bum must adapt to the corporate world and learn how to sell knives in order to support his family after his dad loses his job.
Ford plays an American doctor whose wife suddenly vanishes in Paris. To find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form filling bureaucrats and a defiant, mysterious waif who knows more than she tells.
Jules has just inherited a quaint Christmas tree farm bequeathed her by her grandmother. This is good news, since she plans to sell it and use the profits to buy her dream home in the city. The farm needs a bit of sprucing up, but Jules is a natural fixer so she’ll have it cleaned up in no time to impress buyers and be out by Christmas. But the longer Jules stays on the farm and the more she learns how important Christmas Land has been to so many families, the more Jules starts to question her motives to sell. And when the perfect buyer turns out to have ulterior motives for the farm, Jules must do whatever it takes to save Christmas Land.
