Young Augusten Burroughs absorbs experiences that could make for a shocking memoir: the son of an alcoholic father and an unstable mother, he’s handed off to his mother’s therapist, Dr. Finch, and spends his adolescent years as a member of Finch’s bizarre extended family.
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Scrooge McDuck, his dimwitted pilot Launch Pad, and his newphews Huey, Dewey and Louie, with Webby, arrive in Egypt where Scrooge finds the lost treasure of Collie Baba, unbeknownst to Scrooge, a magic lamp was included inside the treasure, so while the nephews have fun with the genie, they all have no idea that they’re being stalked by a power hungry sorceror named Murlock and his dimwitted thief.
A guy (Jesse Bradford) has his life planned out, until he is wooed, groomed and then dumped by an elusive woman (Elisha Cuthbert).
Thinking he can overshadow an unknown actress in the part, an egocentric actor unknowingly gets a witch cast in an upcoming television remake of the classic show “Bewitched”.
A sailor prone to violent outbursts is sent to a naval psychiatrist for help. Refusing at first to open up, the young man eventually breaks down and reveals a horrific childhood. Through the guidance of his doctor, he confronts his painful past and begins a quest to find the family he never knew.
Shrewdly structured psychological British drama starring Tom Hughes and Ruta Gedmintas as a well-to-do young couple whose comfortable life is disrupted when a troubled teenage girl (Tasha Connor) becomes part of their ordered life. It is a tense and cleverly off-kilter drama, well performed and astutely thought-provoking. It makes great use of its Yorkshire locations, creating a tense and memorably intriguing atmosphere.
Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.
Anna (Marceau) is a wife and mother who has an affair with the handsome Count Vronsky (Bean). Based on the novel by Tolstoy.
Eastern Cape, South Africa. A lonely factory worker, Xolani, takes time off his job to assist during an annual Xhosa circumcision initiation into manhood. In a remote mountain camp that is off limits to women, young men, painted in white ochre, recuperate as they learn the masculine codes of their culture. In this environment of machismo and aggression, Xolani cares for a defiant initiate from Johannesburg, Kwanda, who quickly learns Xolani’s best kept secret, that he is in love with another man.
When the ultimate prank sends their principal under water, it’s up to Everett, Alyssa and Riley to put their super detective skills to the test, catch the perp, and save their school’s first dance in 40 years.
Hyeong-Do (So Ji-Sub) is an assassin for a company that masquerades as a metal trading company. One day, he takes on a job partnering with a man Hyun-Yi, who is he is to kill afterwards. Hyun-Yi asks a favor to Hyeong-Do which is to give money to his family. Hyeong-Do visits Hyun-Yi’s home where he meets Hyun-Yi’s wife Su-Yeon (Lee Mi-Yeon). Su-Yeon is a former singer whom Hyeong-Do admired in the past. Guilt, an unknown feeling up to this point for Hyeong-Do, begins take over Hyeong-Do.
