Max Fischer, a precocious and eccentric 15 year-old, who is both Rushmore’s most extracurricular and least scholarly student; Herman Blume, a disillusioned industrialist who comes to admire Max; and Rosemary Cross, a widowed first grade teacher who becomes the object of both Max’s and Herman’s affection.
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Lisa, a plus-sized African American woman, concludes that her boyfriend broke up with her because of her weight. Now on quarantine lock down and alone, she will now use the next 40 days to try to lose the weight, in hopes of winning him back.
Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a patient named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel’s story is about to be completely rewritten.
During the end of the world, two best friends walk around their city, talking about their sex lives, and one of them reveals they are still a virgin.
Sang-hyeon (Song Kang-ho) is the owner of a launderette and a volunteer at the nearby church, where his friend Dong-soo (Gang Dong-won) works. The two run an illegal business together: Sang-hyeon occasionally steals babies from the church’s baby box with the help of Dong-soo, who deletes the church’s CCTV footage that shows a baby was left there, and they sell them on the adoption black market. But when a young mother, So-young (Lee Ji-eun), comes back after having abandoned her baby, she discovers them and decides to go with them on a road-trip to interview the baby’s potential infertile parents. Meanwhile, two detectives, Soo-jin (Bae Doona) and Detective Lee (Lee Joo-young), are on their trail.
Plan 9 is the story of Nilbog, a small town with a big story. The beginning of an invasion! However, instead of lasers, space ships, and epic force, these aliens have a different plan for the inhabitants of Earth. To resurrect their dead as their own army set with but one goal… To wipe out all mankind! Only the townsfolk on this Halloween night stand in the way of total domination. From the police department, to those trapped in a convenient store, and even those trying to stay alive in the streets, this night will decide the fates of all who walk the planet and thought they were the top of the food chain.
A routine trick propels a tall, dark, cynical hustler into a series of life-changing encounters in this drama. But this amicable and sexually efficient rent boy begins to look at himself differently when he finds himself lost in a maze-like apartment building. As he wanders through the building, he tricks with a variety of johns; sex is the commonality, but out of that commodity comes raw, unguarded emotions for all.
Kate Graham believed to have a perfect marriage, but after not touching her for months her husband Duke Fairbanks, who had an affair with her friend Diana Coles, demands a divorce. She waves the prenuptial-fixed sum of nearly a million dollars, so he lets her have the house temporarily while he lives on the yacht; his corpse is found there shortly after. An unknown man who claims he killed Duke ‘for her’ demands 10% of his vast inheritance. When her gay friend is arrested, without bail, she asks her lawyer to defend him. The killer orders her to have dinner, shakes the Seattle PD detective Paul Tannon, proves he knows her preferences, explains how he set Jim up and doubles his tariff to 20% now she has two lives to pay off. The unknown killer is actually a tax official called Mathis…
Eoghan is a sound-recordist who is returning to Ireland from Berlin for the first time in 15 years. His reason for returning is a job offer: to find and record places free from man-made sound. His quest takes him away from towns and villages into remote terrain. Throughout his journey, he is drawn into a series of encounters and conversations which gradually divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind. Influenced by elements of folklore and archive, “Silence” unfolds with a quiet intensity, where poetic images reveal an absorbing meditation on themes relating to sound and silence, history, memory and exile.
Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.
The High Priest of a modern-day coven finds his life thrown into turmoil and ventures out on a journey of self-discovery.
