A perceptual thriller told from three points-of-view revolving around the rape of a female college student by a mentally handicapped man and his mother’s subsequent revenge after his incarceration.
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Based on a true story, The Christmas Choir is the inspiring account of how one man can make a remarkable difference simply by giving of himself. Workaholic accountant Peter Andrews (Jason Gedrick) has overlooked Christmas, friends and even his fiance for far too long. As a result, his life begins to fall apart. But a chance encounter with a homeless man named Bob (Tyrone Benskin) changes everything and inspires Peter to start a choir that eventually goes on to enormous success. With the help of the unconventional Sister Agatha (Rhea Perlman) and his new found friends at the shelter, Peter learns that Christmas is not a season but a state of mind and that everyone deserves a second chance at life and love.
An alien from another planet with great super powers comes to earth to destroy the whole human race by possessing their bodies. Alien bounty hunters Staleth (Molina) is sent with Colinus (Lee) to try to stop him before its too late.
Heli must try and protect his young family when his 12-year-old sister inadvertently involves them in the brutal drug world. He must battle against the drug cartel that have been angered as well as the corrupt police force.
When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.
Emilie has been hired to care for the four sons of wealthy Adam Stoddard and his wife, Molly. After Molly dies, Adam and the boys grow to depend on Emilie even more. At the same time, Emilie falls in love with Adam. The boys grow up, but Adam insists that Emilie stay on as part of the family. Her relationships with both the boys and Adam become strained after one son marries a gold-digging viper named Hester. Written by Daniel Bubbeo
Mata, Missy and Makareta. Three cousins. Three lives. Separated by circumstances, yet bound together by blood. Orphaned Mata believes she has no whanau and lives out her lonely childhood in fear and bewilderment. Back home on the land, educated Makareta flees an arranged marriage to study law and begin the search for her missing cousin. She leaves behind cheeky yet dutiful Missy who takes on her role of kaitiaki (guardian) of the land. As the years pass, loss of the family land seems imminent and the women’s promise to bring their stolen cousin home seems more unlikely than ever, until a chance encounter changes everything.
Rattled by the prospect of becoming a dad, a 40-year-old filmmaker begins to consider what “manhood” really means for him, prompting him to pursue an array of interests and reexamine his views — which were shaped by his father.
Based on a novel by the late Finnish writer Timo Mukka, this simple story focuses on what happens when Milka (Irma Huntus), a girl barely out of childhood, gets pregnant by Ojanen (Matti Turunen) a rustic fieldhand. Her own mother had been hoping to marry Ojanen, and her daughter’s pregnancy turns their lives around. Set in the Lapp country of northern Finland, the scenery is breathtaking, made even more so by the isolation of the region. A sense of natural solitude is underscored by a slow-moving dialogue interspersed with long silences, and the connection between nature and the dialogue is underscored as the young Milka recites poetry while out in the countryside. The fate of Milka and her mother, however, is connected to the decision that Ojanen makes at the end.