Chad Buckley is a horror aficionado, and he’s lonely. Chad spends his days at his struggling genre video store arguing with his only regular customer, Sam. When an unsuspecting applicant shows up, Chad begins to teach him about the rules of horror and his video store at large, much to the chagrin of Sam. During Chad’s on-boarding process, we weave in and out of different hilarious horror shorts, each one geared at a different set of horror tropes. As this new applicant learns the ropes, he begins to suspect Chad of something sinister, but we quickly learn that he may have a secret of his own.
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New Mexico, present day. Brian and Lukas are off to desert to join the kegger party and to celebrate Lukas’s victory in a motocross competition. His winning price includes to meet THE DEATHINATOR, the biggest action star in the world and personal idol and hero of the boys.The party gets started underneath the hot desert sun, but Brian isn’t in the mood for a party. He wonders off in the rocky hills, but is soon joined by Lukas, his best and only friend. They discover something strange in the desert which leads them into a secret military laboratory where they make a new and disturbing discovery and the truth what the government has been up to in the desert is revealed. The secret experiments on ants and spiders mixed with DNA found from crashed meteorite in the 1951 has given birth to a mutated GIANT ANTS which have overrun the facility. It’s up to Brian and Lukas to become the heroes they always wanted to be and save the world from alien invasion!
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
As stated in the opening titles and at the end Freakstars 3000 is supposed to be a commentary on the problems of the non-disabled people. The more I was shocked about how the disabled were depicted in this film the more I started to realize that in every non-disabled TV counterpart of this show (German TV shows like “Popstars” or “Friedmann” or the home shopping channels) its mentally “non-handicapped” participants are treated in a completely identical way: The total prostitution of the mind in front a huge TV audience at the expense of one’s most important gifts one should hang on to: dignity. On the other hand one could completely understand people who are furious about “exploiting” these handicapped persons. But that’s what Schlingensief’s works are all about: shock people and don’t care about those who cannot or will not try to get the message (if there is one).
In her fourth stand-up special, Whitney Cummings returns to her hometown of Washington, D.C., and riffs on modern feminism, technology and more.
Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie’s staunch support? Literally and figuratively, the proof is the picture.
The insanely funny and surrealistic comedy trio expands their cult-hit web series. Donny, a responsible adult with the innocence and outlook of a child, relies on guidance and life advice from his friend Cory, the dad-like thirtysomething who has been crashing on Donny’s couch for quite some time.
Chronicles the adventures of Franklin Delano Roosevelt, as he rides a “wheelchair of death” to stop the world from being taking over by polio-carrying werewolves during WWII. A deadly menace that are led by Werewolf Hitler, Mussolini and Emperor Hirohito.