A thirty-seven-year-old woman wakes up from a twenty-year coma and returns to the high school where she was once a popular cheerleader to finish her senior year and become prom queen.
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A man trying to get home to his dog gets stuck in a time loop that forces him to relive a deadly run-in with a cop.
Yoona has managed to mature into a fine woman despite her rough childhood. One day, when Yoona finds out that her mother has become ill, she travels home for the first time in a long while. However, this trip doesn’t become what Yoona was expecting it to be…
A biplane pilot is saddled with a spoiled industrialist’s daughter on a search for her missing father through Asia that eventually involves them in a struggle against a Chinese warlord.
Young urban professionals Jesse (Arye Gross) and his girlfriend Kate (Lar Park Lincoln), move into an old mansion that has been in Jesse’s family for generations. They are soon joined by Jesse’s goofy friend Charlie (Jonathan Stark), who brought along his diva girlfriend Lana (Amy Yasbeck), in the hopes of being discovered by Kate, who works for a record company. Jesse has returned to this old family mansion after his parents were murdered when he was a baby. While going through old things in the basement, Jesse finds a picture of his great-great grandfather (and namesake) in front of a Mayan temple holding a crystal skull with jewels in the eyes. In the background is a man Jesse learns is Slim Razor, a former partner of his great-great grandfather turned bitter enemy after a disagreement over who would get to keep the skull.
Set in the early ’80s and ’90s in Gujarat, India, ‘Raees’ is a fictitious story of a crime lord named Raees, who builds an entire empire from scratch, and a police officer who is determined to bring him down.
When an affluent matriarch gathers her dysfunctional family for a holiday at their Northern California lake house, her carefully constructed weekend begins to come apart at the seams, leading her to question her own role in the family.
Surrounded by fans and skeptics, grizzled director J.J. “Jake” Hannaford returns from years abroad in Europe to a changed Hollywood, where he attempts to make his innovative comeback film.
Depicts a heist of old bills, retired from circulation and destined by the government to be “money to burn”. However, more broadly, it addresses the issues of Black Americans’ involvement in the Vietnam War and their subsequent disillusionment with progress in social issues and civil rights back home in the United States, during the 1960s.
