A shallow man falls in love with a 300 pound woman because of her “inner beauty”.
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Not Waving But Drowning is a chronological look at growing up, formed from two different stories. The two sets of friends represent the American dilemma between what you have known and what you hope to know; the tear between longing for the past and the desire to explore.
Max imagines running away from his mom and sailing to a far-off land where large talking beasts — Ira, Carol, Douglas, the Bull, Judith and Alexander — crown him as their king, play rumpus, build forts and discover secret hideaways.
A compulsive gambler finds his new family’s safety seriously threatened by a ruthless gambling boss.
A short exploring the evolution of bullying through a time of physical bullying in 1990 to the future in 2042.
Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears…
The NCAA is the face for college athletics, and it generates billions of dollars every year for the top universities in the United States. This is the first documentary that challenges the NCAA from the perspective of former student-athletes. Director Bob DeMars, a former USC football player, interviewed former student-athletes to find the problems and potential solutions regarding players’ rights.
Twelve-year-old Binti was born in the Congo but has lived with her father Jovial in Belgium since she was a baby. Despite not having any legal documents, Binti wants to live a normal life, and dreams of becoming a famous vlogger like her idol Tatyana. Elias (11) runs his ‘save-the-okapi-club’ without the help of his father, who’s moved to Brazil following his divorce with Elias’s mother Christine. When their annoying neighbour invites Christine on a romantic trip to Paris, Elias, upset and angry, runs away to his treehouse. At the same time, police raid Binti and Jovial’s home, sending the two on the run, and Binti into the path of Elias. When their parents meet shortly after, Binti quickly sees the perfect solution to all her problems. If she can match her dad with Elias’ mom, they can get married and stay in Belgium.
A boy named George Jung grows up in a struggling family in the 1950’s. His mother nags at her husband as he is trying to make a living for the family. It is finally revealed that George’s father cannot make a living and the family goes bankrupt. George does not want the same thing to happen to him, and his friend Tuna, in the 1960’s, suggests that he deal marijuana. He is a big hit in California in the 1960’s, yet he goes to jail, where he finds out about the wonders of cocaine. As a result, when released, he gets rich by bringing cocaine to America. However, he soon pays the price.
Food shortages during a pandemic force recently widowed George to stray far from home to survive. A simple purchase of rations derails when George stumbles upon a Shopkeeper’s secret, placing them in mortal jeopardy.
Back in the 80s, five friends cause raucous in their schooldays. Twenty years on and they’ve got jobs they don’t want and wives who don’t want them. The leader of the gang, Frankie, is now dying in Yorkshire. The others find out and they get together for one last sad, mad, bad road trip to Dewsbury, before it’s all too late. Mix in a dollop of The Inbetweeners’ intellectual wit, add a pinch of bromancing from The World’s End, and then stir in a few ladles of The Hangover’s vomit and you’ve got Destination: Dewsbury, destined to be one of 2018’s funniest releases.
A professional contract killer, haunted by visions of his violent past, spirals out of control. His work compromised as he reaches breaking point, he is forced to defend his family from his ruthless employers.
A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.