Every night, Master (Kaoru Kobayashi) is busy with customers at the restaurant he runs. He has a worried face, looking at the funerary urn which someone left at his restaurant. His customers also talk about the funerary urn.
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Jerry Ryan wanders aimlessly around New York after giving up his Nebrascan law practice. His wife asks for a divorce. He meets Gittel, a struggling dancer from Greenwich Village and they try to sort out their lives. An extended conversation piece with a static camera, but reflects the moral climate of the time.
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Tony Manero is a Brooklyn paint-store clerk who’d give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he’s a king. As the soundtrack plays one Bee Gees hit after another, white-suited Tony struts his stuff amidst flashing lights and sweaty, undulating bodies. Tony’s class aspirations are mirrored in his relationship with his dance partner, a secretary eager to move into the glamorous world of Manhattan.
A Seattle history professor, drawn back to his estranged family on the Oregon coast to execute his late mother’s estate, is reacquainted with his best friend from childhood, with whom he has a long-awaited tryst. Caught in an accelerating series of events, he discovers aspects of his father’s New Age cult which take on a dangerous and apocalyptic significance.
Sexy but unstable wife and mother Jude walked out on her family three years ago. Now, just as suddenly, she is back. But her husband, Robert, has fallen in love with Callie, an assistant principal at his sons’ school. He asks Jude for a divorce. She responds by trying to turn her three boys against Callie, then by slashing herself and blaming her rival and finally by drawing her 12-year-old, Kes, into a murderous plot.