Sick Boy stars Skye McCole Bartusiak as Lucy, a young woman who steps in for a friend to take a job babysitting a young boy confined to his room due to a mysterious illness. Lucy begins to suspect the child’s mother, played by horror legend Debbie Rochon, is hiding something—the truth turns out to be far worse than she could imagine.
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Sandra is the manager at a fast-food restaurant, and Becky is her teenaged counter girl who really needs the job. One stressful day, a police officer telephones and accuses Becky of stealing money from a customer’s purse, which Becky vehemently denies. Sandra, overwhelmed by her managerial responsibilities, complies with the officer’s orders to detain Becky, beginning a nightmare that tragically blurs the lines between expedience, prudence, legality and reason.
It’s Christmas time in Cleveland, Ohio and four young ladies are on the verge of completing their mandatory thirty days of community service. With only one night to go, they are required to make a series of in-home visits to the older and less fortunate. Upon arriving at their final stop for the night, they become introduced to a pleasant older woman who graciously welcomes them into her home for the evening. However, as darkness falls and the cold settles in, they begin to realize that there is far more to their seemingly innocent host than meets the eye.
June 1988…Summer Was Never The Same. In the House of Flies tells the story of young lovers whose lives are inadvertently changed forever. An innocent couple, Heather (Lindsay Smith) and Steve (Ryan Kotack) suddenly find themselves abducted. By whom? For what purpose? Alone, isolated and locked in an undisclosed, suburban basement, Heather and Steve find themselves pawns in a psychological, mind-game with their diabolical hosts. Surrounded by several mysterious and locked suitcases – each containing valuable clues to their very own survival – Heather and Steve must exploit what remains of their bruised intellect and depleting sanity, to escape the authority of their unidentified and brutal abductors (Henry Rollins, Ryan Barrett). From this day forward, summer was never the same
It is Midsummer’s Eve and ten people are on a deserted castle for a TV recording. The next morning the program leader is shot dead. Kvällspressens Annika Bengtzon a mandate to monitor the murder, but she soon learns that her best friend Anne Snapphanevägen is one of the ten suspects. When the police released all one after another – all except Anne – it becomes personal for Bengtzon who will do anything to exonerate her friend.
A brilliant but eccentric young scientist is obsessed with the question of life after death and is willing to risk all to find the answer.
P.C. George Dixon (Warner) a long-serving traditional “copper” who is due to retire shortly, takes a new recruit, Andy Mitchell (Hanley), under his aegis, introducing him to the easy-going night beat. Dixon is a classic Ealing ‘ordinary’ hero, but also anachronistic, unprepared and unable to answer the violence of Tom Riley (Bogarde). Called to the scene of a robbery at a local cinema, Dixon finds himself face-to-face with Riley, a desperate youth armed with a revolver. Dixon initially tries to talk Riley into surrendering the weapon, but Riley panics and fires. Dixon walks to his own death almost uncomprehending. Dixon is taken to hospital, but dies some hours later. The ending is another Ealing quirk, with ordinary decent society, including ‘professional’ criminals used to violence, banding together to track down and catch the murderer, who is trapped in the crowd at White City greyhound track in west London. To Andy Mitchell falls the honour of arresting Riley.
A hard-boiled love triangle between a private eye and two bloodsucking dames.
A top secret experiment intended to produce a superhuman has gone terribly wrong. Now the creators, trapped in a remote desert outpost, are being pursued ruthlessly by their creation. With the door sealed from within, there is no way out.
Guts, an immensely strong sword-for-hire, has little direction in his life, simply fighting one battle after the next. However, this all changes suddenly when he meets and is bested by Griffith, a beautiful and charismatic young man who leads the Band of the Hawk mercenary army. After Guts joins the Band and the relationship between the two men begins to blossom, Casca, the tough, lone swordswoman in the Band of the Hawk, struggles to accept Guts and the influence he has on the world around her. While the two men begin to fight together, Griffith continues to rise to power, all seemingly in order to reach his mysterious, prophesied goals. What lengths will Guts and Griffith go to in order to reach these goals, and where will fate take the two men?
