When two inept criminals break into the home of a washed-up psychic in search of hidden loot, they get a lot more than they bargained for.
You May Also Like
When Van Helsing’s mysterious invention, the “Monsterfication Ray,” goes haywire, Drac and his monster pals are all transformed into humans, and Johnny becomes a monster. In their new mismatched bodies, Drac and Johnny must team up and race across the globe to find a cure before it’s too late, and before they drive each other crazy.
Serial Killer Michael Myers is not finished with Laurie Strode, and their rivalry finally comes to an end. But is this the last we see of Myers? Freddie Harris and Nora Winston are reality programmers at DangerTainment, and are planning to send a group of 6 thrill-seeking teenagers into the childhood home of Myers. Cameras are placed all over the house and no one can get out of the house… and then Michael arrives home!
Young urban professionals Jesse (Arye Gross) and his girlfriend Kate (Lar Park Lincoln), move into an old mansion that has been in Jesse’s family for generations. They are soon joined by Jesse’s goofy friend Charlie (Jonathan Stark), who brought along his diva girlfriend Lana (Amy Yasbeck), in the hopes of being discovered by Kate, who works for a record company. Jesse has returned to this old family mansion after his parents were murdered when he was a baby. While going through old things in the basement, Jesse finds a picture of his great-great grandfather (and namesake) in front of a Mayan temple holding a crystal skull with jewels in the eyes. In the background is a man Jesse learns is Slim Razor, a former partner of his great-great grandfather turned bitter enemy after a disagreement over who would get to keep the skull.
Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as “hockey hair”. Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man
Fourteen-year-old Jason Shepherd (Muniz) has a reputation for stretching the truth. So, when big-time Hollywood producer Marty Wolf (Paul Giamatti) steals his class paper and turns it into a smash movie, no one believes Jason’s latest tall tale! On a cross-country adventure to set the record straight, Jason and best friend Kaylee (Bynes) devise a high-tech plan to squeeze the truth out of Wolf.
Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price, but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.
Set during World War II, somewhere in Eastern Europe. A German soldier is found dead near the village. The local authorities must find the culprit, or they will be all shot by the Nazis the morning after. There’s no way to find the guilty one, but there’s Ipu, the madman of the village, whom they promise a hero’s funeral if he will claims responsibility and agrees to die in their place. He must decide, and time is running out.