Sam, who after his motorcycle is damaged in an apparent crash into the ocean, becomes stranded in a small New England town, finds refuge at a run-down motel managed by Kate, a similarly burnt-out, lost soul. The mystery around Sam’s presence in town unravels when it’s discovered that his estranged daughter Audrey lives there – the daughter he hasn’t seen her in 25 years. As he tries to bridge the gap between the little girl he left long ago and the woman who grew up without her father, Sam learns he was never cut-out to be emotionally connected to anyone – unless he falls in love with another soul just as lonesome.
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Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family’s children. “Bicentennial Man” follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don’t have an ordinary robot.
Londo Mollari, the Centauri Emperor, recounts the initial contact between the Humans and Minbari, which resulted in a major incident and subsequent war, for an eager pair of youngsters wanting a story about love and conflict.
When Ann, husband George and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.
Ronya lives happily in her father’s castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronja have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
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